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<channel>
	<title>Cinema Tech Geek</title>
	<atom:link href="http://www.cinetechgeek.com/feed/podcast/" rel="self" type="application/rss+xml" />
	<link>http://www.cinetechgeek.com</link>
	<description>Video blog on cinema business and technology</description>
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<itunes:summary>James Gardiner is a part owner in DCN (Digital Cinema Network Australia - www.d-cine.net) and digitAll (www.digitall.net.au) and is involved in the installation and development of DCI d-Cinema and e-Cinema projection systems. Cine Tech Geek is an informative video blog which will explain the details and reality of the future of Cinema.

Disclaimer: This is a personal weblog. The opinions expressed here represent my own and not those of my employer(s). </itunes:summary>
	<itunes:subtitle>Video blog on cinema business and technology</itunes:subtitle>
	<itunes:author>James Gardiner</itunes:author>
	<itunes:image href="http://www.cinetechgeek.com/cinetechgeek-R01-01-300x300.jpg" />
	<image><url>http://www.cinetechgeek.com/cinetechgeek-R01-01-300x300.jpg</url><title>Cinema Tech Geek</title><link>http://www.cinetechgeek.com</link></image>
	<itunes:category text="Education">
		<itunes:category text="Education Technology" />
	</itunes:category>
	<itunes:category text="TV &amp; Film" />
	<itunes:category text="Technology">
		<itunes:category text="Gadgets" />
	</itunes:category>
	<itunes:keywords>cinema, DCI, DLP, projection, exebition, d-cinema, e-cinema, dcinema, ecinema</itunes:keywords>
	<itunes:explicit>no</itunes:explicit>
	<itunes:owner>
		<itunes:name>James Gardiner</itunes:name>
		<itunes:email>james.gardiner@crafted.com.au</itunes:email>
	</itunes:owner>
			<item>
		<title>CineTechGeek on TechTalkRadio &#8211; New developments in Cinema</title>
		<link>http://www.cinetechgeek.com/2012/01/01/cinetechgeek-on-techtalkradio-new-developments-in-cinema/</link>
		<comments>http://www.cinetechgeek.com/2012/01/01/cinetechgeek-on-techtalkradio-new-developments-in-cinema/#comments</comments>
		<pubDate>Sun, 01 Jan 2012 06:00:22 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[acquisition]]></category>
		<category><![CDATA[C300]]></category>
		<category><![CDATA[RED]]></category>
		<category><![CDATA[shooting]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=576</guid>
		<description><![CDATA[This is a recording of a interview on a radio show called Tech-Talk-Radio (http://techtalkradio.com.au) a weekly tech Radio show and podcast.  In this interview we talk about new developments in digital technology related to cinema.  From the new RED Scarlet and Canon C300, to the development of HFR (High Frame Rate) developments and when they [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2012/01/01/cinetechgeek-on-techtalkradio-new-developments-in-cinema/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/TTR2.mp4" length="0" type="video/mp4" />
	<itunes:summary>This is a recording of a interview on a radio show called Tech-Talk-Radio (http://techtalkradio.com.au) a weekly tech Radio show and podcast.  In this interview we talk about new developments in digital technology related to cinema.  From the new RED Scarlet and Canon C300, to the development of HFR (High Frame Rate) developments and when they are likely to be seen in the cinema.
This show went to air on November 21 2011.
</itunes:summary>
<itunes:subtitle>This is a recording of a interview on a radio show called Tech-Talk-Radio (http://techtalkradio.com.au) a weekly tech Radio show and podcast.  In this interview we talk about new developments in digital technology related to cinema.  From the new [...]</itunes:subtitle>
	</item>
		<item>
		<title>CineTechGeek on TechTalkRadio &#8211; Traditional versus digital cinema</title>
		<link>http://www.cinetechgeek.com/2012/01/01/cinetechgeek-on-techtalkradio-traditional-vs-digital/</link>
		<comments>http://www.cinetechgeek.com/2012/01/01/cinetechgeek-on-techtalkradio-traditional-vs-digital/#comments</comments>
		<pubDate>Sun, 01 Jan 2012 05:53:32 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[conversion]]></category>
		<category><![CDATA[Tech Talk Radio]]></category>
		<category><![CDATA[TTR]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=573</guid>
		<description><![CDATA[&#160; This is a recording of a interview on a radio show called Tech-Talk-Radio (http://techtalkradio.com.au) a weekly tech Radio show and podcast.  In this interview we talk about how digital will change the cinema goers experience and how it will improve. This show went to air on July 11 2011. &#160;]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2012/01/01/cinetechgeek-on-techtalkradio-traditional-vs-digital/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/TTR1.mp4" length="0" type="video/mp4" />
	<itunes:summary> 
This is a recording of a interview on a radio show called Tech-Talk-Radio (http://techtalkradio.com.au) a weekly tech Radio show and podcast.  In this interview we talk about how digital will change the cinema goers experience and how it will improve.
This show went to air on July 11 2011.
 
</itunes:summary>
<itunes:subtitle>  This is a recording of a interview on a radio show called Tech-Talk-Radio (http://techtalkradio.com.au) a weekly tech Radio show and podcast.  In this interview we talk about how digital will change the cinema goers experience and how it will [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 18 &#8211; Pat Moore &#8211; STRONG &#8211; Prepare for Digital installs</title>
		<link>http://www.cinetechgeek.com/2011/10/24/cinemacon-2011-18-pat-moore-strong-prepare-for-digital-installs/</link>
		<comments>http://www.cinetechgeek.com/2011/10/24/cinemacon-2011-18-pat-moore-strong-prepare-for-digital-installs/#comments</comments>
		<pubDate>Sun, 23 Oct 2011 15:08:12 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[install]]></category>
		<category><![CDATA[Moore]]></category>
		<category><![CDATA[Pat]]></category>
		<category><![CDATA[STRONG]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=568</guid>
		<description><![CDATA[Pat Moore, vice presedent of STRONG technical services walks us through the ins and outs of going digital.  This is a very good video covering what you really should know before you jump.  As we are now at the tail end of film those who have not jumped yet need to watch this and prepare for [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/10/24/cinemacon-2011-18-pat-moore-strong-prepare-for-digital-installs/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_Pat_Moore_Of_Strong_iTunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Pat Moore, vice presedent of STRONG technical services walks us through the ins and outs of going digital.  This is a very good video covering what you really should know before you jump.  As we are now at the tail end of film those who have not jumped yet need to watch this and prepare for the inevitable.
This video is a good starting point so you know what your in for once you move.
Good luck.
</itunes:summary>
<itunes:subtitle>Pat Moore, vice presedent of STRONG technical services walks us through the ins and outs of going digital.  This is a very good video covering what you really should know before you jump.  As we are now at the tail end of film those who have not [...]</itunes:subtitle>
	</item>
		<item>
		<title>Cinema Automation Trends</title>
		<link>http://www.cinetechgeek.com/2011/10/06/cinema-automation-trends/</link>
		<comments>http://www.cinetechgeek.com/2011/10/06/cinema-automation-trends/#comments</comments>
		<pubDate>Thu, 06 Oct 2011 12:29:36 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[automated]]></category>
		<category><![CDATA[automatic]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[contact closure]]></category>
		<category><![CDATA[IO]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=564</guid>
		<description><![CDATA[In this video I discuss the trends in cinema Automation as we go into the world of Digital Cinema.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/10/06/cinema-automation-trends/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CineTechGeek_Automation_itunes_big.mp4" length="0" type="video/mp4" />
	<itunes:summary>In this video I discuss the trends in cinema Automation as we go into the world of Digital Cinema.
</itunes:summary>
<itunes:subtitle>In this video I discuss the trends in cinema Automation as we go into the world of Digital Cinema.</itunes:subtitle>
	</item>
		<item>
		<title>AIMC2011 &#8211; Tony Adamson &#8211;  DLP Cinema, reinventing the way the world sees movies</title>
		<link>http://www.cinetechgeek.com/2011/09/21/aimc2011-tony-adamson-dlp-cinema-reinventing-the-way-the-world-sees-movies/</link>
		<comments>http://www.cinetechgeek.com/2011/09/21/aimc2011-tony-adamson-dlp-cinema-reinventing-the-way-the-world-sees-movies/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 23:04:20 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[AIMC]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Adamson]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[DLP]]></category>
		<category><![CDATA[future]]></category>
		<category><![CDATA[innocation]]></category>
		<category><![CDATA[Instruments]]></category>
		<category><![CDATA[Texas]]></category>
		<category><![CDATA[TI]]></category>
		<category><![CDATA[Tony]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=562</guid>
		<description><![CDATA[Tony Adamson, Manager, Worldwide Customer Marketing, DLP Cinema (Texas Instruments Incorporated) takes us through the future technologies on the horizon for the Cinema industry. It is only through the move to digital are we now able to see innovation advances in cinema. Adam covers topics like faster frame rates and laser light engines.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/09/21/aimc2011-tony-adamson-dlp-cinema-reinventing-the-way-the-world-sees-movies/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/AIMC2011-TI_on_future%20technolgoes_in_cinema.mp4" length="0" type="video/mp4" />
	<itunes:summary>Tony Adamson, Manager, Worldwide Customer Marketing, DLP Cinema (Texas Instruments Incorporated) takes us through the future technologies on the horizon for the Cinema industry.
It is only through the move to digital are we now able to see innovation advances in cinema.
Adam covers topics like faster frame rates and laser light engines.
</itunes:summary>
<itunes:subtitle>Tony Adamson, Manager, Worldwide Customer Marketing, DLP Cinema (Texas Instruments Incorporated) takes us through the future technologies on the horizon for the Cinema industry. It is only through the move to digital are we now able to see [...]</itunes:subtitle>
	</item>
		<item>
		<title>AIMC2011 &#8211; Q&amp;A &#8211; Why film will end by late 2013</title>
		<link>http://www.cinetechgeek.com/2011/09/14/aimc2011-qa-why-film-will-end-by-late-2013/</link>
		<comments>http://www.cinetechgeek.com/2011/09/14/aimc2011-qa-why-film-will-end-by-late-2013/#comments</comments>
		<pubDate>Wed, 14 Sep 2011 13:32:18 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[AIMC]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[VPF]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[date]]></category>
		<category><![CDATA[end]]></category>
		<category><![CDATA[film]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=558</guid>
		<description><![CDATA[AIMC 2011 Australian Movie Convention, Question and Answers: Why film will end by late 2013]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/09/14/aimc2011-qa-why-film-will-end-by-late-2013/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/AIMC2011_QandA_Why_film_will_end_by_late_2013_1.mp4" length="0" type="video/mp4" />
	<itunes:summary>AIMC 2011
Australian Movie Convention, Question and Answers: Why film will end by late 2013
</itunes:summary>
<itunes:subtitle>AIMC 2011 Australian Movie Convention, Question and Answers: Why film will end by late 2013</itunes:subtitle>
	</item>
		<item>
		<title>AIMC2011 &#8211; Q&amp;A &#8211; Going Digital Is Not Expensive</title>
		<link>http://www.cinetechgeek.com/2011/09/14/aimc2011-qanda-going-digital-is-not-expensive/</link>
		<comments>http://www.cinetechgeek.com/2011/09/14/aimc2011-qanda-going-digital-is-not-expensive/#comments</comments>
		<pubDate>Wed, 14 Sep 2011 13:28:43 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[AIMC]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[VPF]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[Australian]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Convention]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[expensive]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Q&A]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=556</guid>
		<description><![CDATA[AIMC 2011 Australian Movie Convention, Question and Answers: Going Digital In Not Expensive]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/09/14/aimc2011-qanda-going-digital-is-not-expensive/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/AIMC2011_QandA_Going_digital_is_not_expensive_1.mp4" length="0" type="video/mp4" />
	<itunes:summary>AIMC 2011
Australian Movie Convention, Question and Answers: Going Digital In Not Expensive
</itunes:summary>
<itunes:subtitle>AIMC 2011 Australian Movie Convention, Question and Answers: Going Digital In Not Expensive</itunes:subtitle>
	</item>
		<item>
		<title>AIMC2011 &#8211; Keynote &#8211; John Fithian &#8211; 6 &#8211; Early VOD Releases Hurting Cinemas</title>
		<link>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-6-early-vod-releases-hurting-cinemas/</link>
		<comments>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-6-early-vod-releases-hurting-cinemas/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 09:36:33 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[AIMC]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[date]]></category>
		<category><![CDATA[Keynote]]></category>
		<category><![CDATA[NATO]]></category>
		<category><![CDATA[release]]></category>
		<category><![CDATA[VOD]]></category>
		<category><![CDATA[window]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=497</guid>
		<description><![CDATA[AIMC 2011 KEYNOTE SPEAKER John Fithian &#8211; President &#38; CEO, National Association of Theatre Owners, USA Part 6 or 6 Topic: Early VOD (Video On Demand) is hurting the cinema industry. There has been a lot of developments in this area and John covers them for us.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-6-early-vod-releases-hurting-cinemas/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/AIMC2011_John_Fithian_6_Early_VOD_hurting_Cinema_2_1.mp4" length="0" type="video/mp4" />
	<itunes:summary>AIMC 2011 KEYNOTE SPEAKER
John Fithian – President &amp; CEO, National Association of Theatre Owners, USA
Part 6 or 6
Topic: Early VOD (Video On Demand) is hurting the cinema industry. There has been a lot of developments in this area and John covers them for us.
</itunes:summary>
<itunes:subtitle>AIMC 2011 KEYNOTE SPEAKER John Fithian – President &amp; CEO, National Association of Theatre Owners, USA Part 6 or 6 Topic: Early VOD (Video On Demand) is hurting the cinema industry. There has been a lot of developments in this area and John [...]</itunes:subtitle>
	</item>
		<item>
		<title>AIMC2011 &#8211; Keynote &#8211; John Fithian &#8211; 5 &#8211; Film Will End Late 2013</title>
		<link>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-5-film-will-end-late-2013/</link>
		<comments>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-5-film-will-end-late-2013/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 09:32:18 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[AIMC]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[VPF]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[end]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[NATO]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=493</guid>
		<description><![CDATA[AIMC 2011 KEYNOTE SPEAKER John Fithian &#8211; President &#38; CEO, National Association of Theatre Owners, USA Part 5 or 6 Topic: Film has now got a expiration date. Late 2013 or earlier.  If you are not digital, it is time to convert.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-5-film-will-end-late-2013/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/AIMC2011_John_Fithian_5_FilmWillEndLate2013_2_1.mp4" length="0" type="video/mp4" />
	<itunes:summary>AIMC 2011 KEYNOTE SPEAKER
John Fithian – President &amp; CEO, National Association of Theatre Owners, USA
Part 5 or 6
Topic: Film has now got a expiration date. Late 2013 or earlier.  If you are not digital, it is time to convert.
</itunes:summary>
<itunes:subtitle>AIMC 2011 KEYNOTE SPEAKER John Fithian – President &amp; CEO, National Association of Theatre Owners, USA Part 5 or 6 Topic: Film has now got a expiration date. Late 2013 or earlier.  If you are not digital, it is time to convert.</itunes:subtitle>
	</item>
		<item>
		<title>AIMC2011 &#8211; Keynote &#8211; John Fithian &#8211; 4 &#8211; Help Small Operators</title>
		<link>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-4-help-small-operators/</link>
		<comments>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-4-help-small-operators/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 09:27:54 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[AIMC]]></category>
		<category><![CDATA[VPF]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[exhibitor]]></category>
		<category><![CDATA[Keynote]]></category>
		<category><![CDATA[NATO]]></category>
		<category><![CDATA[operators]]></category>
		<category><![CDATA[small]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=490</guid>
		<description><![CDATA[AIMC 2011 KEYNOTE SPEAKER John Fithian &#8211; President &#38; CEO, National Association of Theatre Owners, USA Part 4 or 6 Topic: How do we help small cinemas get into digital and not be left behind.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-4-help-small-operators/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/AIMC2011_John_Fithian_4_HelpSmallOperators_2_1.mp4" length="0" type="video/mp4" />
	<itunes:summary>AIMC 2011 KEYNOTE SPEAKER
John Fithian – President &amp; CEO, National Association of Theatre Owners, USA
Part 4 or 6
Topic: How do we help small cinemas get into digital and not be left behind.
</itunes:summary>
<itunes:subtitle>AIMC 2011 KEYNOTE SPEAKER John Fithian – President &amp; CEO, National Association of Theatre Owners, USA Part 4 or 6 Topic: How do we help small cinemas get into digital and not be left behind.</itunes:subtitle>
	</item>
		<item>
		<title>AIMC2011 &#8211; Keynote &#8211; John Fithian &#8211; 3 &#8211; How Does Digital Help The Cinema</title>
		<link>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-3-how-does-digital-help-the-cinema/</link>
		<comments>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-3-how-does-digital-help-the-cinema/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 09:25:04 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[AIMC]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[exhibitor]]></category>
		<category><![CDATA[help]]></category>
		<category><![CDATA[NATO]]></category>
		<category><![CDATA[RIO]]></category>
		<category><![CDATA[savings]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=487</guid>
		<description><![CDATA[AIMC 2011 KEYNOTE SPEAKER John Fithian &#8211; President &#38; CEO, National Association of Theatre Owners, USA Part 3 or 6 Topic: How does going digital help the exhibitor (Cinemas).]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-3-how-does-digital-help-the-cinema/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/AIMC2011_John_Fithian_3_HowDoesDigitalHelp_2_1.mp4" length="0" type="video/mp4" />
	<itunes:summary>AIMC 2011 KEYNOTE SPEAKER
John Fithian – President &amp; CEO, National Association of Theatre Owners, USA
Part 3 or 6
Topic: How does going digital help the exhibitor (Cinemas).
</itunes:summary>
<itunes:subtitle>AIMC 2011 KEYNOTE SPEAKER John Fithian – President &amp; CEO, National Association of Theatre Owners, USA Part 3 or 6 Topic: How does going digital help the exhibitor (Cinemas).</itunes:subtitle>
	</item>
		<item>
		<title>AIMC2011 &#8211; Keynote &#8211; John Fithian &#8211; 2 &#8211; Get to Digital</title>
		<link>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-2-get-to-digital/</link>
		<comments>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-2-get-to-digital/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 09:21:58 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[AIMC]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[NATO]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=485</guid>
		<description><![CDATA[AIMC 2011 KEYNOTE SPEAKER John Fithian &#8211; President &#38; CEO, National Association of Theatre Owners, USA Part 2 or 6 Topic: Its time to get into digital.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-2-get-to-digital/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/AIMC2011_John_Fithian_2_GetToDigital_2_1.mp4" length="0" type="video/mp4" />
	<itunes:summary>AIMC 2011 KEYNOTE SPEAKER
John Fithian – President &amp; CEO, National Association of Theatre Owners, USA
Part 2 or 6
Topic: Its time to get into digital.
</itunes:summary>
<itunes:subtitle>AIMC 2011 KEYNOTE SPEAKER John Fithian – President &amp; CEO, National Association of Theatre Owners, USA Part 2 or 6 Topic: Its time to get into digital.</itunes:subtitle>
	</item>
		<item>
		<title>AIMC2011 &#8211; Keynote &#8211; John Fithian &#8211; 1 &#8211; Our Business Is Strong</title>
		<link>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-1-our-business-is-strong/</link>
		<comments>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-1-our-business-is-strong/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 09:17:55 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[AIMC]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[Keynote]]></category>
		<category><![CDATA[NATO]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=482</guid>
		<description><![CDATA[AIMC 2011 KEYNOTE SPEAKER John Fithian &#8211; President &#38; CEO, National Association of Theatre Owners, USA Part 1 or 6 Topic: Australian Cinema Exhibition is very successful.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/08/31/aimc2011-keynote-john-fithian-1-our-business-is-strong/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/AIMC2011_John_Fithian_1_OutBusinessIsStrong_2_1.mp4" length="0" type="video/mp4" />
	<itunes:summary>AIMC 2011 KEYNOTE SPEAKER
John Fithian – President &amp; CEO, National Association of Theatre Owners, USA
Part 1 or 6
Topic: Australian Cinema Exhibition is very successful.
</itunes:summary>
<itunes:subtitle>AIMC 2011 KEYNOTE SPEAKER John Fithian – President &amp; CEO, National Association of Theatre Owners, USA Part 1 or 6 Topic: Australian Cinema Exhibition is very successful.</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 17 &#8211; Digital Changes &#8211; Michael Karagosian</title>
		<link>http://www.cinetechgeek.com/2011/06/13/cinemacon-2011-17-digital-changes-michael-karagosian/</link>
		<comments>http://www.cinetechgeek.com/2011/06/13/cinemacon-2011-17-digital-changes-michael-karagosian/#comments</comments>
		<pubDate>Mon, 13 Jun 2011 12:13:00 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=479</guid>
		<description><![CDATA[Michael Karagosian of mkpe gives us a run down on future developments in digital cinema.  From Laser Light sources to the evolution of the software used in d-cinema.  There is still a lot going on. sponsor: www.dcpPlayer.net http://www.d-cine.net/cinetechgeek/CinemaCon2011-DigitalChanges-4-MichaelKaragosian_itunes_1.mp4]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/06/13/cinemacon-2011-17-digital-changes-michael-karagosian/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011-DigitalChanges-4-MichaelKaragosian_itunes_1.mp4" length="0" type="video/mp4" />
	<itunes:summary>Michael Karagosian of mkpe gives us a run down on future developments in digital cinema.  From Laser Light sources to the evolution of the software used in d-cinema.  There is still a lot going on.
sponsor: www.dcpPlayer.net
http://www.d-cine.net/cinetechgeek/CinemaCon2011-DigitalChanges-4-MichaelKaragosian_itunes_1.mp4
</itunes:summary>
<itunes:subtitle>Michael Karagosian of mkpe gives us a run down on future developments in digital cinema.  From Laser Light sources to the evolution of the software used in d-cinema.  There is still a lot going on. sponsor: www.dcpPlayer.net [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 16 &#8211; Digital Changes &#8211; James Kang</title>
		<link>http://www.cinetechgeek.com/2011/06/13/cinemacon-2011-16-digital-changes-james-kang/</link>
		<comments>http://www.cinetechgeek.com/2011/06/13/cinemacon-2011-16-digital-changes-james-kang/#comments</comments>
		<pubDate>Mon, 13 Jun 2011 12:09:28 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[VPF]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=477</guid>
		<description><![CDATA[James Kang from DCK (D-Cinema Korea) explains how Korea became one of the most progressive countries converting to Digital.  Korea is on track to be one of the first countries that archives full digital conversion. Sponsor: www.dcpPlayer.net http://www.d-cine.net/cinetechgeek/CinemaCon2011-DigitalChanges-3-JamesKang_itunes.mp4]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/06/13/cinemacon-2011-16-digital-changes-james-kang/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011-DigitalChanges-3-JamesKang_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>James Kang from DCK (D-Cinema Korea) explains how Korea became one of the most progressive countries converting to Digital.  Korea is on track to be one of the first countries that archives full digital conversion.
Sponsor: www.dcpPlayer.net
http://www.d-cine.net/cinetechgeek/CinemaCon2011-DigitalChanges-3-JamesKang_itunes.mp4
</itunes:summary>
<itunes:subtitle>James Kang from DCK (D-Cinema Korea) explains how Korea became one of the most progressive countries converting to Digital.  Korea is on track to be one of the first countries that archives full digital conversion. Sponsor: www.dcpPlayer.net [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 15 &#8211; Digital Changes &#8211; Steve Perrin</title>
		<link>http://www.cinetechgeek.com/2011/06/12/cinemacon-2011-15-digital-changes-steve-perrin/</link>
		<comments>http://www.cinetechgeek.com/2011/06/12/cinemacon-2011-15-digital-changes-steve-perrin/#comments</comments>
		<pubDate>Sat, 11 Jun 2011 22:36:39 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[VPF]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=475</guid>
		<description><![CDATA[Steve Perrin, head UK digital funding group, gives us a rundown on how the VPF is working in his part of the world. Sponsor: dcpPlayer.net]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/06/12/cinemacon-2011-15-digital-changes-steve-perrin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011-DigitalChanges-2-StevePerrin_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Steve Perrin, head UK digital funding group, gives us a rundown on how the VPF is working in his part of the world.
Sponsor: dcpPlayer.net
</itunes:summary>
<itunes:subtitle>Steve Perrin, head UK digital funding group, gives us a rundown on how the VPF is working in his part of the world. Sponsor: dcpPlayer.net</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 14 &#8211; Digital Changes &#8211; David Hancock</title>
		<link>http://www.cinetechgeek.com/2011/06/12/cinemacon-2011-14-digital-changes-david-hancock/</link>
		<comments>http://www.cinetechgeek.com/2011/06/12/cinemacon-2011-14-digital-changes-david-hancock/#comments</comments>
		<pubDate>Sat, 11 Jun 2011 22:26:07 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=473</guid>
		<description><![CDATA[David Hancock of Screen Digest gives us a rundown on the developments in Cinemas going digial. This is of special interest as the forcast of how long until we are fully digital is very enlightening. &#160; Sponsor: dcpPlayer.net]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/06/12/cinemacon-2011-14-digital-changes-david-hancock/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011-DigitalChanges-1-DavidHancock_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>David Hancock of Screen Digest gives us a rundown on the developments in Cinemas going digial.
This is of special interest as the forcast of how long until we are fully digital is very enlightening.
 
Sponsor: dcpPlayer.net
</itunes:summary>
<itunes:subtitle>David Hancock of Screen Digest gives us a rundown on the developments in Cinemas going digial. This is of special interest as the forcast of how long until we are fully digital is very enlightening.   Sponsor: dcpPlayer.net</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 13 &#8211; DataSat AP20 Sound Processor</title>
		<link>http://www.cinetechgeek.com/2011/05/17/cinemacon-2011-13-datasat-ap20-sound-processor/</link>
		<comments>http://www.cinetechgeek.com/2011/05/17/cinemacon-2011-13-datasat-ap20-sound-processor/#comments</comments>
		<pubDate>Mon, 16 May 2011 23:31:30 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[AP20]]></category>
		<category><![CDATA[DataSat]]></category>
		<category><![CDATA[DIRAC]]></category>
		<category><![CDATA[DTS]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=466</guid>
		<description><![CDATA[DataSat (www.datasatdigital.com), formerly DTS Digital Cinema, has a fantastic new Sound processor.  The AP20 has a feature set  not other sound processor on the Market can touch. With advanced features such as a built in Monitor, Automation IOs, DIRAC (sound field enhancements) and full HDMI video switching capabilities.  The AP20 is the only product available today that even [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/05/17/cinemacon-2011-13-datasat-ap20-sound-processor/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_DataSat%20AP20_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>DataSat  (www.datasatdigital.com), formerly DTS Digital Cinema, has a fantastic new Sound processor.  The AP20 has a feature set  not other sound processor on the Market can touch.
With advanced features such as a built in Monitor, Automation IOs, DIRAC (sound field enhancements) and full HDMI video switching capabilities.  The AP20 is the only product available today that even offers these features.    The AP20 is literally in a class of its own.
This is a product you must not overlook if you are considering upgrading or purchasing a new Cinema Sound Processor.
Clarification: DTS sold the Digital Cinema Division to Datasat.  DTS still exists on the consumer side (BluRays), but all Cinema Hardware and Digital Surround Sound Technology is all handled by Datasat a separate company.
Sponsor (www.dcpplayer.net)
</itunes:summary>
<itunes:subtitle>DataSat (www.datasatdigital.com), formerly DTS Digital Cinema, has a fantastic new Sound processor.  The AP20 has a feature set  not other sound processor on the Market can touch. With advanced features such as a built in Monitor, Automation [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 12 &#8211; Mikrom IMB</title>
		<link>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-12-mikrom-imb/</link>
		<comments>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-12-mikrom-imb/#comments</comments>
		<pubDate>Thu, 28 Apr 2011 14:46:46 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[IMB]]></category>
		<category><![CDATA[manufacturer]]></category>
		<category><![CDATA[mikrom]]></category>
		<category><![CDATA[OEM]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=461</guid>
		<description><![CDATA[Mikrom, an Integrated Media Block (IMB) manufacturer gets us up to date with what an IMB is and why we need them in the world of 4K and faster then 24 fps presentations. &#160;]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-12-mikrom-imb/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_Mikrom_IMB_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Mikrom, an Integrated Media Block (IMB) manufacturer gets us up to date with what an IMB is and why we need them in the world of 4K and faster then 24 fps presentations.
 
</itunes:summary>
<itunes:subtitle>Mikrom, an Integrated Media Block (IMB) manufacturer gets us up to date with what an IMB is and why we need them in the world of 4K and faster then 24 fps presentations.  </itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 11- DepthQ 3D</title>
		<link>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-11-depthq-3d/</link>
		<comments>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-11-depthq-3d/#comments</comments>
		<pubDate>Thu, 28 Apr 2011 14:40:17 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DepthQ]]></category>
		<category><![CDATA[RealD]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=458</guid>
		<description><![CDATA[DepthQ has released a new 3D system similar to RealD but with an outright purchase.  This video shows you the unit working and how DepthQ have improved on the design over the older RealD Z-screen units. &#160;]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-11-depthq-3d/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_DepthQ_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>DepthQ has released a new 3D system similar to RealD but with an outright purchase.  This video shows you the unit working and how DepthQ have improved on the design over the older RealD Z-screen units.
 
</itunes:summary>
<itunes:subtitle>DepthQ has released a new 3D system similar to RealD but with an outright purchase.  This video shows you the unit working and how DepthQ have improved on the design over the older RealD Z-screen units.  </itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 10 &#8211; Perforated Screen with Severtson</title>
		<link>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-10-perforated-screen-with-severtson/</link>
		<comments>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-10-perforated-screen-with-severtson/#comments</comments>
		<pubDate>Thu, 28 Apr 2011 14:34:49 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[moire]]></category>
		<category><![CDATA[pattern]]></category>
		<category><![CDATA[perforated]]></category>
		<category><![CDATA[perforation]]></category>
		<category><![CDATA[screen]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=455</guid>
		<description><![CDATA[Perforated screens or screens with small holes in them so the sound can pass through with less destortion, can be a major problem in the digital age.  The perforated pattern and the pixel grid in the projector can interfere producing a visible moire pattern on screen. Ron from Severtson Screens tells us how we can deal with these [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-10-perforated-screen-with-severtson/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_Perf_Screens_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Perforated screens or screens with small holes in them so the sound can pass through with less destortion, can be a major problem in the digital age.  The perforated pattern and the pixel grid in the projector can interfere producing a visible moire pattern on screen.
Ron from Severtson Screens tells us how we can deal with these issues.
 
</itunes:summary>
<itunes:subtitle>Perforated screens or screens with small holes in them so the sound can pass through with less destortion, can be a major problem in the digital age.  The perforated pattern and the pixel grid in the projector can interfere producing a visible [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 09 &#8211; QLi Lights and Lamps</title>
		<link>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-09-qli-lighs-and-lamp/</link>
		<comments>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-09-qli-lighs-and-lamp/#comments</comments>
		<pubDate>Thu, 28 Apr 2011 14:24:51 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[Dimmers]]></category>
		<category><![CDATA[Lamps]]></category>
		<category><![CDATA[Lights]]></category>
		<category><![CDATA[QLi]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=451</guid>
		<description><![CDATA[Lighting has come a long way in recent years. QLi is a leading industrial supplier. QLi is a good choice for cinema and your commercial and industrial lighting needs. Linear UV and Digital Printing Xenon Short Arc LED&#8217;s Germicidal Lamps, Sleeves, and Domes Outdoor and Landscape Lighting Flourescents Other Press Parts and Supplies &#160;]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/29/cinemacon-2011-09-qli-lighs-and-lamp/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_QLI-lights_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Lighting has come a long way in recent years. QLi is a leading industrial supplier.
QLi is a good choice for cinema and your commercial and industrial lighting needs.

Linear UV and Digital Printing
Xenon Short Arc
LED’s
Germicidal Lamps, Sleeves, and Domes
Outdoor and Landscape Lighting
Flourescents
Other Press Parts and Supplies

 
</itunes:summary>
<itunes:subtitle>Lighting has come a long way in recent years. QLi is a leading industrial supplier. QLi is a good choice for cinema and your commercial and industrial lighting needs. Linear UV and Digital Printing Xenon Short Arc LED’s Germicidal Lamps, Sleeves, [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 08 &#8211; Cameron, Lucas, Ketzenberg on future of Film, Part7</title>
		<link>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-08-cameron-lucas-ketzenberg-on-future-of-film-part7/</link>
		<comments>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-08-cameron-lucas-ketzenberg-on-future-of-film-part7/#comments</comments>
		<pubDate>Wed, 13 Apr 2011 23:41:34 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[40fps]]></category>
		<category><![CDATA[60fps]]></category>
		<category><![CDATA[CGI]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[George Lucas]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Jeffery Katzenberg]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[VFX]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=437</guid>
		<description><![CDATA[Part7 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. Much is covered. Faster frame rates 4K resolution. 3D and how it is developing/improving (And how we archive this). Post production work flows and how they are effected. new developments in the speed of [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-08-cameron-lucas-ketzenberg-on-future-of-film-part7/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_Future_of_Film_Part7_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Part7
In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward.

Much is covered.

Faster frame rates
4K resolution.
3D and how it is developing/improving (And how we archive this).
Post production work flows and how they are effected.
new developments in the speed of rendering for CG/VFX and animated content.
Production budgets and how they are effected.
3D production work flow topics by James.

And it goes on.
A must see for those in the production industry.
Sponsored by dcpPlayer by digitAll

 
</itunes:summary>
<itunes:subtitle>Part7 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. Much is covered. Faster frame rates 4K resolution. 3D and how it is [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 07 &#8211; Cameron, Lucas, Ketzenberg on future of Film, Part6</title>
		<link>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-07-cameron-lucas-ketzenberg-on-future-of-film-part6/</link>
		<comments>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-07-cameron-lucas-ketzenberg-on-future-of-film-part6/#comments</comments>
		<pubDate>Wed, 13 Apr 2011 23:40:31 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[40fps]]></category>
		<category><![CDATA[60fps]]></category>
		<category><![CDATA[CGI]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[George Lucas]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Jeffery Katzenberg]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[VFX]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=435</guid>
		<description><![CDATA[Part6 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. Much is covered. Faster frame rates 4K resolution. 3D and how it is developing/improving (And how we archive this). Post production work flows and how they are effected. new developments in the speed of [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-07-cameron-lucas-ketzenberg-on-future-of-film-part6/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_Future_of_Film_Part6_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Part6
In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward.

Much is covered.

Faster frame rates
4K resolution.
3D and how it is developing/improving (And how we archive this).
Post production work flows and how they are effected.
new developments in the speed of rendering for CG/VFX and animated content.
Production budgets and how they are effected.
3D production work flow topics by James.

And it goes on.
A must see for those in the production industry.
Sponsored by dcpPlayer by digitAll

 
</itunes:summary>
<itunes:subtitle>Part6 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. Much is covered. Faster frame rates 4K resolution. 3D and how it is [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 06 &#8211; Cameron, Lucas, Ketzenberg on future of Film, Part5</title>
		<link>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-06-cameron-lucas-ketzenberg-on-future-of-film-part5/</link>
		<comments>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-06-cameron-lucas-ketzenberg-on-future-of-film-part5/#comments</comments>
		<pubDate>Wed, 13 Apr 2011 23:35:03 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[40fps]]></category>
		<category><![CDATA[60fps]]></category>
		<category><![CDATA[CGI]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[George Lucas]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Jeffery Katzenberg]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[VFX]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=425</guid>
		<description><![CDATA[Part5 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. Much is covered. Faster frame rates 4K resolution. 3D and how it is developing/improving (And how we archive this). Post production work flows and how they are effected. new developments in the speed of [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-06-cameron-lucas-ketzenberg-on-future-of-film-part5/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_Future_of_Film_Part5_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Part5
In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward.
Much is covered.


Faster frame rates
4K resolution.
3D and how it is developing/improving (And how we archive this).
Post production work flows and how they are effected.
new developments in the speed of rendering for CG/VFX and animated content.
Production budgets and how they are effected.
3D production work flow topics by James.

And it goes on.
A must see for those in the production industry.
Sponsored by dcpPlayer by digitAll

 
</itunes:summary>
<itunes:subtitle>Part5 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. Much is covered. Faster frame rates 4K resolution. 3D and how it is [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 05 &#8211; Cameron, Lucas, Ketzenberg on future of Film, Part4</title>
		<link>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-05-cameron-lucas-ketzenberg-on-future-of-film-part4/</link>
		<comments>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-05-cameron-lucas-ketzenberg-on-future-of-film-part4/#comments</comments>
		<pubDate>Wed, 13 Apr 2011 23:33:47 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[40fps]]></category>
		<category><![CDATA[60fps]]></category>
		<category><![CDATA[CGI]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[George Lucas]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Jeffery Katzenberg]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[VFX]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=423</guid>
		<description><![CDATA[Part4 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. &#160; Much is covered. Faster frame rates 4K resolution. 3D and how it is developing/improving (And how we archive this). Post production work flows and how they are effected. new developments in the speed [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-05-cameron-lucas-ketzenberg-on-future-of-film-part4/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_Future_of_Film_Part4_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Part4
In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward.

 
Much is covered.

Faster frame rates
4K resolution.
3D and how it is developing/improving (And how we archive this).
Post production work flows and how they are effected.
new developments in the speed of rendering for CG/VFX and animated content.
Production budgets and how they are effected.
3D production work flow topics by James.

And it goes on.
A must see for those in the production industry.
Sponsored by dcpPlayer by digitAll

 
</itunes:summary>
<itunes:subtitle>Part4 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward.   Much is covered. Faster frame rates 4K resolution. 3D and how it is [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 04 &#8211; Cameron, Lucas, Ketzenberg on future of Film, Part3</title>
		<link>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-04-cameron-lucas-ketzenberg-on-future-of-film-part3/</link>
		<comments>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-04-cameron-lucas-ketzenberg-on-future-of-film-part3/#comments</comments>
		<pubDate>Wed, 13 Apr 2011 23:31:07 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[40fps]]></category>
		<category><![CDATA[60fps]]></category>
		<category><![CDATA[CGI]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[George Lucas]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Jeffery Katzenberg]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[VFX]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=421</guid>
		<description><![CDATA[Part3 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. &#160; Much is covered. Faster frame rates 4K resolution. 3D and how it is developing/improving (And how we archive this). Post production work flows and how they are effected. new developments in the speed [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-04-cameron-lucas-ketzenberg-on-future-of-film-part3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_Future_of_Film_Part3_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Part3
In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward.

 
Much is covered.

Faster frame rates
4K resolution.
3D and how it is developing/improving (And how we archive this).
Post production work flows and how they are effected.
new developments in the speed of rendering for CG/VFX and animated content.
Production budgets and how they are effected.
3D production work flow topics by James.

And it goes on.
A must see for those in the production industry.
Sponsored by dcpPlayer by digitAll

 
</itunes:summary>
<itunes:subtitle>Part3 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward.   Much is covered. Faster frame rates 4K resolution. 3D and how it is [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 03 &#8211; Cameron, Lucas, Ketzenberg on future of Film, Part2</title>
		<link>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-02-cameron-lucas-ketzenberg-on-future-of-film-part2/</link>
		<comments>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-02-cameron-lucas-ketzenberg-on-future-of-film-part2/#comments</comments>
		<pubDate>Wed, 13 Apr 2011 23:26:10 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[40fps]]></category>
		<category><![CDATA[60fps]]></category>
		<category><![CDATA[CGI]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[George Lucas]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Jeffery Katzenberg]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[VFX]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=418</guid>
		<description><![CDATA[Part2 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. Much is covered. Faster frame rates 4K resolution. 3D and how it is developing/improving (And how we archive this). Post production work flows and how they are effected. new developments in the speed of [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-02-cameron-lucas-ketzenberg-on-future-of-film-part2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_Future_of_Film_Part2_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Part2
In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward.
Much is covered.


Faster frame rates
4K resolution.
3D and how it is developing/improving (And how we archive this).
Post production work flows and how they are effected.
new developments in the speed of rendering for CG/VFX and animated content.
Production budgets and how they are effected.
3D production work flow topics by James.

And it goes on.
A must see for those in the production industry.
Sponsored by dcpPlayer by digitAll

 
</itunes:summary>
<itunes:subtitle>Part2 In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. Much is covered. Faster frame rates 4K resolution. 3D and how it is [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 02 &#8211; Cameron, Lucas, Ketzenberg on future of Film, Part1</title>
		<link>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-%e2%80%93-02-%e2%80%93-cameron-lucas-ketzenberg-on-future-of-film-part1/</link>
		<comments>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-%e2%80%93-02-%e2%80%93-cameron-lucas-ketzenberg-on-future-of-film-part1/#comments</comments>
		<pubDate>Wed, 13 Apr 2011 23:21:59 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[40fps]]></category>
		<category><![CDATA[60fps]]></category>
		<category><![CDATA[CGI]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[George Lucas]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Jeffery Katzenberg]]></category>
		<category><![CDATA[Post Production]]></category>
		<category><![CDATA[VFX]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=414</guid>
		<description><![CDATA[Part1&#160; In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. Much is covered. Faster frame rates 4K resolution. 3D and how it is developing/improving (And how we archive this). Post production work flows and how they are effected. new developments in [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/14/cinemacon-2011-%e2%80%93-02-%e2%80%93-cameron-lucas-ketzenberg-on-future-of-film-part1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_Future_of_Film_Part1_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>Part1 
In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward.
Much is covered.

Faster frame rates
4K resolution.
3D and how it is developing/improving (And how we archive this).
Post production work flows and how they are effected.
new developments in the speed of rendering for CG/VFX and animated content.
Production budgets and how they are effected.
3D production work flow topics by James.

And it goes on.
A must see for those in the production industry.
Sponsored by dcpPlayer by digitAll

</itunes:summary>
<itunes:subtitle>Part1  In this 1h10m video James Cameron, George Lucas and Jeffery Katzenberg talk about the innovative production technologies they are looking at moving forward. Much is covered. Faster frame rates 4K resolution. 3D and how it is [...]</itunes:subtitle>
	</item>
		<item>
		<title>CinemaCon 2011 &#8211; 01 &#8211; Introduction</title>
		<link>http://www.cinetechgeek.com/2011/04/13/cinemacon-2011-01-introduction/</link>
		<comments>http://www.cinetechgeek.com/2011/04/13/cinemacon-2011-01-introduction/#comments</comments>
		<pubDate>Wed, 13 Apr 2011 12:25:46 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[CinemaCon]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[40fps]]></category>
		<category><![CDATA[60fps]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[film]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=407</guid>
		<description><![CDATA[CinemaCon 2011 is the new home of the largest cinema conference in the world. (This replaces the old Showest conference) This year has been very eventful for cinema exhibition with a number of major developments.  This includes the predicted death of film in the US region, 4K availability and the push towards innovation in the [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2011/04/13/cinemacon-2011-01-introduction/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaCon2011_Intro_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>CinemaCon 2011 is the new home of the largest cinema conference in the world. (This replaces the old Showest conference)
This year has been very eventful for cinema exhibition with a number of major developments.  This includes the predicted death of film in the US region, 4K availability and the push towards innovation in the display of films.  Specifically faster frame rates such as 48 or 60.
This year I was able to collect a rich set of videos covering many aspects of these developments at CinemaCon2011.
Please view this video to get my overview of the show plus see some of the new technologies shown on the exhibition floor.
 
</itunes:summary>
<itunes:subtitle>CinemaCon 2011 is the new home of the largest cinema conference in the world. (This replaces the old Showest conference) This year has been very eventful for cinema exhibition with a number of major developments.  This includes the predicted death [...]</itunes:subtitle>
	</item>
		<item>
		<title>Do we need 60fps</title>
		<link>http://www.cinetechgeek.com/2010/12/18/do-we-need-60fps/</link>
		<comments>http://www.cinetechgeek.com/2010/12/18/do-we-need-60fps/#comments</comments>
		<pubDate>Sat, 18 Dec 2010 06:22:00 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[60fps]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[hollywood]]></category>
		<category><![CDATA[production]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=330</guid>
		<description><![CDATA[In this video I demonstrate the advantages of shooting at faster then 24fps. (at 60fps)  It definitely has a different look. I personally think it looks more realistic, but others have commented on it looking more VIDEOish. ie not FILMish.  Either way it is yet another example of the innovations going digital will bring us. [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/12/18/do-we-need-60fps/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/DoWeNeed60fps_itunes.mp4" length="0" type="video/mp4" />
	<itunes:summary>In this video I demonstrate the advantages of shooting at faster then 24fps. (at 60fps)  It definitely has a different look.
I personally think it looks more realistic, but others have commented on it looking more VIDEOish. ie not FILMish.  Either way it is yet another example of the innovations going digital will bring us.
60fps content will defiantly bring a new dimension for action films.  In some ways, similar to 3D, but with a wider acceptance (3D simply does not work well with a large portion of the general population).
NOTE: This file is 60fps if view from itunes or via the cinetechgeek.com website.  Other sites like YouTube who carry this content do not currently support the playback of more then 30fps.
</itunes:summary>
<itunes:subtitle>In this video I demonstrate the advantages of shooting at faster then 24fps. (at 60fps)  It definitely has a different look. I personally think it looks more realistic, but others have commented on it looking more VIDEOish. ie not FILMish. [...]</itunes:subtitle>
	</item>
		<item>
		<title>SMPTE DCP&#8217;s are coming</title>
		<link>http://www.cinetechgeek.com/2010/09/30/smpte-dcps-are-coming/</link>
		<comments>http://www.cinetechgeek.com/2010/09/30/smpte-dcps-are-coming/#comments</comments>
		<pubDate>Wed, 29 Sep 2010 23:50:52 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[doremi]]></category>
		<category><![CDATA[GDC]]></category>
		<category><![CDATA[Projector]]></category>
		<category><![CDATA[Qube]]></category>
		<category><![CDATA[Relaimage]]></category>
		<category><![CDATA[SMPTE]]></category>
		<category><![CDATA[XDC]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=326</guid>
		<description><![CDATA[DCI media players currently use the &#8220;MPEG Interop DCP&#8221; as the method of playing digital content.  This standard has been expanded by the well known standards body of SMPTE. In this video I discuss the differences and what a cinema operator should know about moving to the SMPTE DCP. DCI media players currently use the [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/09/30/smpte-dcps-are-coming/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/SMPTE_DCP_ipod.mp4" length="0" type="video/mp4" />
	<itunes:summary>DCI media players currently use the “MPEG Interop DCP” as the method of playing digital content.  This standard has been expanded by the well known standards body of SMPTE.
In this video I discuss the differences and what a cinema operator should know about moving to the SMPTE DCP.
DCI media players currently use the “MPEG Interop DCP” as the method of playing digital content.  This standard has been expanded by the well known standards body of SMPTE.In this video I discuss the differences and what a cinema operator should know about moving to the SMPTE DCP.
</itunes:summary>
<itunes:subtitle>DCI media players currently use the “MPEG Interop DCP” as the method of playing digital content.  This standard has been expanded by the well known standards body of SMPTE. In this video I discuss the differences and what a cinema operator [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 14 &#8211; Barco Projectors</title>
		<link>http://www.cinetechgeek.com/2010/08/11/showest-2010-14-barco-projectors/</link>
		<comments>http://www.cinetechgeek.com/2010/08/11/showest-2010-14-barco-projectors/#comments</comments>
		<pubDate>Wed, 11 Aug 2010 13:28:32 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[Barco]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Projectors]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=321</guid>
		<description><![CDATA[This year at Showest 2010, Barco released a 2 new range of Projectors.  The first series based on the 0.98 TI chip and the second on the 1.2 TI chip.  The 1.2 will be upgradable to the 4k TI chip early net year with the 0.98 to follow at a later date. Barco has an [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/08/11/showest-2010-14-barco-projectors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010%20Barco.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>This year at Showest 2010, Barco released a 2 new range of Projectors.  The first series based on the 0.98 TI chip and the second on the 1.2 TI chip.  The 1.2 will be upgradable to the 4k TI chip early net year with the 0.98 to follow at a later date.
Barco has an impressive assortment of projectors giving them a very good fit to any theatre.
Some highlights of the new projectors include

amazing fault tolerant rectifier solution.
in depth trouble shooting system built into the projector with diagrams and instructions displayed based on diagnostics coming out of the the projector.

NOTE: This video is LATE as it could not be released until DCN was a qualified Barco Dealer. DCN (www.dcnaustralia.com.au) is sponsored this video.
</itunes:summary>
<itunes:subtitle>This year at Showest 2010, Barco released a 2 new range of Projectors.  The first series based on the 0.98 TI chip and the second on the 1.2 TI chip.  The 1.2 will be upgradable to the 4k TI chip early net year with the 0.98 to follow at a later [...]</itunes:subtitle>
	</item>
		<item>
		<title>Making the Web work for you and your cinema (Part 2)</title>
		<link>http://www.cinetechgeek.com/2010/07/26/making-the-web-work-for-you-and-your-cinema-part-2/</link>
		<comments>http://www.cinetechgeek.com/2010/07/26/making-the-web-work-for-you-and-your-cinema-part-2/#comments</comments>
		<pubDate>Mon, 26 Jul 2010 12:51:08 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[POS]]></category>
		<category><![CDATA[SEO]]></category>
		<category><![CDATA[ticket]]></category>
		<category><![CDATA[Web]]></category>
		<category><![CDATA[website]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=318</guid>
		<description><![CDATA[In this 2 Part episode we talk to Brian Coogan of White Dog Green Frog (www.whitedoggreenfrog.com) a web Hosting and Website development company with specific services for Cinema exhibition. In this video we cover; What you should expect from a website. How easy it is to sell tickets from your website. SEO (Search Engine Optimization) and how [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/07/26/making-the-web-work-for-you-and-your-cinema-part-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Web_for_Cinema_Part2.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>
In this 2 Part episode we talk to Brian Coogan of White Dog Green Frog (www.whitedoggreenfrog.com) a web Hosting and Website development company with specific services for Cinema exhibition.
In this video we cover;

What you should expect from a website.
How easy it is to sell tickets from your website.
SEO (Search Engine Optimization) and how to work with Google and showing up in  SEARCH.
How Mobile fits into all this
and finally how your website and social networking can work together.

Click here to download the powerpoint presentation Brian presented at this years ICAA conference.

</itunes:summary>
<itunes:subtitle>In this 2 Part episode we talk to Brian Coogan of White Dog Green Frog (www.whitedoggreenfrog.com) a web Hosting and Website development company with specific services for Cinema exhibition. In this video we cover; What you should expect from a [...]</itunes:subtitle>
	</item>
		<item>
		<title>Making the Web work for you and your cinema (Part 1)</title>
		<link>http://www.cinetechgeek.com/2010/07/26/making-the-web-work-for-you-and-your-cinema-part-1/</link>
		<comments>http://www.cinetechgeek.com/2010/07/26/making-the-web-work-for-you-and-your-cinema-part-1/#comments</comments>
		<pubDate>Mon, 26 Jul 2010 12:49:33 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[POS]]></category>
		<category><![CDATA[SEO]]></category>
		<category><![CDATA[ticket]]></category>
		<category><![CDATA[Web]]></category>
		<category><![CDATA[website]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=316</guid>
		<description><![CDATA[In this 2 Part episode we talk to Brian Coogan of White Dog Green Frog (www.whitedoggreenfrog.com) a web Hosting and Website development company with specific services for Cinema exhibition. In this video we cover; What you should expect from a website. How easy it is to sell tickets from your website. SEO (Search Engine Optimization) and how [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/07/26/making-the-web-work-for-you-and-your-cinema-part-1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Web_for_Cinema_Part1.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this 2 Part episode we talk to Brian Coogan of White Dog Green Frog (www.whitedoggreenfrog.com) a web Hosting and Website development company with specific services for Cinema exhibition.
In this video we cover;

What you should expect from a website.
How easy it is to sell tickets from your website.
SEO (Search Engine Optimization) and how to work with Google and showing up in  SEARCH.
How Mobile fits into all this
and finally how your website and social networking can work together.

Click here to download the powerpoint presentation Brian presented at this years ICAA conference.
</itunes:summary>
<itunes:subtitle>In this 2 Part episode we talk to Brian Coogan of White Dog Green Frog (www.whitedoggreenfrog.com) a web Hosting and Website development company with specific services for Cinema exhibition. In this video we cover; What you should expect from a [...]</itunes:subtitle>
	</item>
		<item>
		<title>KDM De-constructed</title>
		<link>http://www.cinetechgeek.com/2010/07/19/kdm-deconstructed/</link>
		<comments>http://www.cinetechgeek.com/2010/07/19/kdm-deconstructed/#comments</comments>
		<pubDate>Mon, 19 Jul 2010 02:02:20 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[KDM]]></category>
		<category><![CDATA[Movie Industry]]></category>
		<category><![CDATA[security]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=312</guid>
		<description><![CDATA[Today I cover the KDM or Key Delivery Message, used to UNLOCK a DCP so it can be played in the cinema.  I cover how it works and how secure it is. I recommend distributors view this Video as so they have a better understanding of the technology they are now using and how secure [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/07/19/kdm-deconstructed/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/KDM_Deconstructed.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Today I cover the KDM or Key Delivery Message, used to UNLOCK a DCP so it can be played in the cinema.  I cover how it works and how secure it is.
I recommend distributors view this Video as so they have a better understanding of the technology they are now using and how secure it is.  It has never been better for them in terms of security.
As a cinema goer, I recommend you also check this out as it shows you how serious content protection is for the Movie industry.  The technology to catch those who try to film of screen is amazingly sophisticated.
</itunes:summary>
<itunes:subtitle>Today I cover the KDM or Key Delivery Message, used to UNLOCK a DCP so it can be played in the cinema.  I cover how it works and how secure it is. I recommend distributors view this Video as so they have a better understanding of the technology [...]</itunes:subtitle>
	</item>
		<item>
		<title>View 3D-DCP&#8217;s with dcpPlayer</title>
		<link>http://www.cinetechgeek.com/2010/07/15/view-3d-dcps-with-dcpplayer/</link>
		<comments>http://www.cinetechgeek.com/2010/07/15/view-3d-dcps-with-dcpplayer/#comments</comments>
		<pubDate>Thu, 15 Jul 2010 11:13:26 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Anaglyph]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[dcpPlayer]]></category>
		<category><![CDATA[digitall]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=309</guid>
		<description><![CDATA[Recently here at digitAll the company I part own released the dcpPlayer (Available now as demo and purchase at www.digitall.net.au **Obvious self promotion**)       A cool feature of the dcpPlayer is the ability to view 3D content.  In this video, I do a quick demonstration of different methods available, Side by Side, Above [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/07/15/view-3d-dcps-with-dcpplayer/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/3D_dcpPlayer.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Recently here at digitAll the company I part own released the dcpPlayer (Available now as demo and purchase at www.digitall.net.au **Obvious self promotion**)       A cool feature of the dcpPlayer is the ability to view 3D content.  In this video, I do a quick demonstration of different methods available, Side by Side, Above and Below and Anaglyph for example.
dcpPlayer is a great tool for playing 3D content based on a world wide (Soon to be SMPTE) standard the DCP. Something I feel the non-cinema 3D world needs.  I have seen many hacks to get 3D going for niche applications.  Now with the DCP, creators can make 3D content and know it can be taken to any part of the world and it just works.
</itunes:summary>
<itunes:subtitle>Recently here at digitAll the company I part own released the dcpPlayer (Available now as demo and purchase at www.digitall.net.au **Obvious self promotion**)       A cool feature of the dcpPlayer is the ability to view 3D content.  In this [...]</itunes:subtitle>
	</item>
		<item>
		<title>DCP De-constructed</title>
		<link>http://www.cinetechgeek.com/2010/07/14/dcp-deconstructed/</link>
		<comments>http://www.cinetechgeek.com/2010/07/14/dcp-deconstructed/#comments</comments>
		<pubDate>Wed, 14 Jul 2010 03:45:06 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=304</guid>
		<description><![CDATA[Today we have a close look at what makes up a DCP or &#8220;Digital Cinema Package&#8221;.  I will describe the files found on the CRU Hard drives used to distribute the digital files to your cinema. This includes describing how a DCP is self verifying.  Can contain multiple CPL&#8217;s or Composition Playlists, (Ie a playlist [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/07/14/dcp-deconstructed/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/DCP_deconstructed.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Today we have a close look at what makes up a DCP or “Digital Cinema Package”.  I will describe the files found on the CRU Hard drives used to distribute the digital files to your cinema.
This includes describing how a DCP is self verifying.  Can contain multiple CPL’s or Composition Playlists, (Ie a playlist of video and audio essences that make up the Film)
The PKL or Package List, a file that tells us what makes up a CPL and all the checking data to make sure every byte is present and accounted for.
Finally I talk about how we have full DCP’s and partial DCP’s and explain how that all works.
</itunes:summary>
<itunes:subtitle>Today we have a close look at what makes up a DCP or “Digital Cinema Package”.  I will describe the files found on the CRU Hard drives used to distribute the digital files to your cinema. This includes describing how a DCP is self verifying. [...]</itunes:subtitle>
	</item>
		<item>
		<title>In Theatre Projection</title>
		<link>http://www.cinetechgeek.com/2010/06/17/in-theatre-projection/</link>
		<comments>http://www.cinetechgeek.com/2010/06/17/in-theatre-projection/#comments</comments>
		<pubDate>Thu, 17 Jun 2010 02:50:50 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[DCN]]></category>
		<category><![CDATA[dcnaustralia]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[Nova]]></category>
		<category><![CDATA[Projectors]]></category>
		<category><![CDATA[trend]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=302</guid>
		<description><![CDATA[Digital projectors can be small and self contained.  This gives us the ability to install projectors in ways never before possible with traditional Film projectors.  In this video we have a look at an install at Cinema Nova, Carlton (Melbourne Australia) in which DCN Australia www.dcnaustralia.com.au add 4 additional digital screens making it a total [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/06/17/in-theatre-projection/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CinemaNova_In_Cinema_Projectors.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Digital projectors can be small and self contained.  This gives us the ability to install projectors in ways never before possible with traditional Film projectors.  In this video we have a look at an install at Cinema Nova, Carlton (Melbourne Australia) in which DCN Australia www.dcnaustralia.com.au add 4 additional digital screens making it a total of 15.
We have a look at how one is mounted and the advantages if in theater projection.
This type of install would be of particular interest to those converting a location not build for purpose, to a Cinema complex.
Digital projectors can be small and self contained.  This gives us the ability to install projectors in ways never before possible with traditional Film projectors.  In this video we have a look at an install at Cinema Nova, Carlton (Melbourne Australia) in which DCN Australia www.dcnaustralia.com.au add 4 additional digital screens making it a total of 15.
We have a look at how one is mounted and the advantages if in theater projection.
This type of install would be of particular interest to those converting a location not build for purpose, to a Cinema complex.
</itunes:summary>
<itunes:subtitle>Digital projectors can be small and self contained.  This gives us the ability to install projectors in ways never before possible with traditional Film projectors.  In this video we have a look at an install at Cinema Nova, Carlton (Melbourne [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 13 &#8211; Emerging Pictures</title>
		<link>http://www.cinetechgeek.com/2010/05/02/showest-2010-13-emerging-pictures/</link>
		<comments>http://www.cinetechgeek.com/2010/05/02/showest-2010-13-emerging-pictures/#comments</comments>
		<pubDate>Sun, 02 May 2010 01:17:18 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[alternatecontent]]></category>
		<category><![CDATA[art house]]></category>
		<category><![CDATA[arts]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[documentaries]]></category>
		<category><![CDATA[emergingpictures]]></category>
		<category><![CDATA[exhibit]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[foreign language]]></category>
		<category><![CDATA[independant]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=289</guid>
		<description><![CDATA[Emerging Pictures is the largest all-digital Specialty Film and Alternate Content theater network in the United States. Emerging has a network of arts institutions, media arts centers and independent art house theaters, tied together through digital technology – enabling them to cost effectively exhibit art films, documentaries, foreign language films, independent cinema and cultural programming. CineTechGeek talks [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/05/02/showest-2010-13-emerging-pictures/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_EmergingPictures.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Emerging Pictures is the largest all-digital Specialty Film and Alternate Content theater network in the United States.
Emerging has a network of arts institutions, media arts centers and independent art house theaters, tied together through digital technology – enabling them to cost effectively exhibit art films, documentaries, foreign language films, independent cinema and cultural programming.
CineTechGeek talks to Barry Rebo about how the use of technology is a major building block for Emerging Pictures.  Emerging Pictures makes the distribution of this content possible through the use of alternative content technology such as eCinema Players and internet delivery.
Sponsor: digitAll (www.digitall.net.au)
</itunes:summary>
<itunes:subtitle>Emerging Pictures is the largest all-digital Specialty Film and Alternate Content theater network in the United States. Emerging has a network of arts institutions, media arts centers and independent art house theaters, tied together through [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 12 &#8211; Xpand 3D</title>
		<link>http://www.cinetechgeek.com/2010/04/27/showest2010-12-xpand-3d/</link>
		<comments>http://www.cinetechgeek.com/2010/04/27/showest2010-12-xpand-3d/#comments</comments>
		<pubDate>Tue, 27 Apr 2010 12:03:35 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[glasses]]></category>
		<category><![CDATA[LCD]]></category>
		<category><![CDATA[S3D]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[X101]]></category>
		<category><![CDATA[X103]]></category>
		<category><![CDATA[xpand]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=286</guid>
		<description><![CDATA[Xpand 3D http://www.xpandcinema.com/ and Michael talk to us about how the Xpand LCD shutter system works. How it is secured to your cinema. The robustness aspects and new features such as child size glasses arms. We also talk about DLP link and how it works but is not suitable for cinema. It is designed for [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/27/showest2010-12-xpand-3d/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_Xpand_3D.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Xpand 3D http://www.xpandcinema.com/ and Michael talk to us about how the Xpand LCD shutter system works.  How it is secured to your cinema.  The robustness aspects and new features such as child size glasses arms.
We also talk about DLP link and how it works but is not suitable for cinema. It is designed for education.
The new  X103 universal domestic glasses.  They work on any 3D system from cinema to multi vendor LCD screen.  They are also far more comfortable to wear.  Defiantly an interesting product for 3D fans.
Sponsor: digitAll (http://www.digitall.net.au)
</itunes:summary>
<itunes:subtitle>Xpand 3D http://www.xpandcinema.com/ and Michael talk to us about how the Xpand LCD shutter system works. How it is secured to your cinema. The robustness aspects and new features such as child size glasses arms. We also talk about DLP link and how [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 11 &#8211; Intelligent Access Systems Closed Caption Tech</title>
		<link>http://www.cinetechgeek.com/2010/04/26/showest2010-11-intelligent-access-systems-closed-caption-tech/</link>
		<comments>http://www.cinetechgeek.com/2010/04/26/showest2010-11-intelligent-access-systems-closed-caption-tech/#comments</comments>
		<pubDate>Sun, 25 Apr 2010 14:35:37 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[access]]></category>
		<category><![CDATA[captions]]></category>
		<category><![CDATA[closed captions]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=282</guid>
		<description><![CDATA[The Intelligent AccessTM wireless personal captioning system integrates smartphones, electronic eyewear and WiFi connectivity to bring captions and multiple languages to people at a variety of venues. The current client stsem utilizes WiFi technology to deliver personal captions to an indevidual on an iPod Touch, iPhone or Windos mobile system. The user has the choice [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/26/showest2010-11-intelligent-access-systems-closed-caption-tech/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_Uni_Intelligent_Access_Systems%20.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>The Intelligent AccessTM wireless personal captioning system integrates smartphones, electronic eyewear and WiFi connectivity to bring captions and multiple languages to people at a variety of venues.
The current client stsem utilizes WiFi technology to deliver personal captions to an indevidual on an iPod Touch, iPhone or Windos mobile system. The user has the choice of viewing the captions on the handheld screen or optional electronic eyewear.
This approach benefits both the caption end user and the location providing the service. The end-user can recieve captions from any Intelligent Access installation on his or her own campatible mobile device, without any additional hardware purchase required.
Sponsor: digitAll – www.digitall.net.au
</itunes:summary>
<itunes:subtitle>The Intelligent AccessTM wireless personal captioning system integrates smartphones, electronic eyewear and WiFi connectivity to bring captions and multiple languages to people at a variety of venues. The current client stsem utilizes WiFi [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 10 &#8211; Christie Projectors</title>
		<link>http://www.cinetechgeek.com/2010/04/23/showest-2010-10-christie-projectors/</link>
		<comments>http://www.cinetechgeek.com/2010/04/23/showest-2010-10-christie-projectors/#comments</comments>
		<pubDate>Fri, 23 Apr 2010 13:50:46 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[christie]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[dorami]]></category>
		<category><![CDATA[IMB]]></category>
		<category><![CDATA[Projector]]></category>
		<category><![CDATA[series2]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=278</guid>
		<description><![CDATA[Brian Claypool from Christie talks to us about their new Series 2 projector line up. We discuss the upgradability to 4K and how the Internal Media Block (IMB) is a big part supporting 4K. We also take a look at a prototype of a Dorami IMB in action and the new look of the Series [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/23/showest-2010-10-christie-projectors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_Christie_Projectors.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Brian Claypool from Christie talks to us about their new Series 2 projector line up.
We discuss the upgradability to 4K and how the Internal Media Block (IMB) is a big part supporting 4K.
We also take a look at a prototype of a Dorami IMB in action and the new look of the Series 2 boards and how they all work together.
Sponsor: digitAll – www.digitall.net.au
</itunes:summary>
<itunes:subtitle>Brian Claypool from Christie talks to us about their new Series 2 projector line up. We discuss the upgradability to 4K and how the Internal Media Block (IMB) is a big part supporting 4K. We also take a look at a prototype of a Dorami IMB in action [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 09 &#8211; Dolby Closed Caption Technology</title>
		<link>http://www.cinetechgeek.com/2010/04/23/showest-2010-09-dolby-closed-caption-technology/</link>
		<comments>http://www.cinetechgeek.com/2010/04/23/showest-2010-09-dolby-closed-caption-technology/#comments</comments>
		<pubDate>Fri, 23 Apr 2010 13:42:48 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[closed caption]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[DSS200]]></category>
		<category><![CDATA[hearing impared]]></category>
		<category><![CDATA[HIVI]]></category>
		<category><![CDATA[visual imparted]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=276</guid>
		<description><![CDATA[From the Showest2010 University display of Closed Caption technologies. David from Dolby tells us how a Dolby DCI player DSS200 (And ALL DCI players for that matter as they all support the Standards based protocols) Sponsor: digitAll &#8211; www.digitall.net.au]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/23/showest-2010-09-dolby-closed-caption-technology/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_Uni_Dolby_ClosedCaptionTech.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>From the Showest2010 University display of Closed Caption technologies.
David from Dolby tells us how a Dolby DCI player DSS200 (And ALL DCI players for that matter as they all support the Standards based protocols)
Sponsor: digitAll – www.digitall.net.au
</itunes:summary>
<itunes:subtitle>From the Showest2010 University display of Closed Caption technologies. David from Dolby tells us how a Dolby DCI player DSS200 (And ALL DCI players for that matter as they all support the Standards based protocols) Sponsor: digitAll – [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 08 &#8211; Dorami CaptiView closed caption system</title>
		<link>http://www.cinetechgeek.com/2010/04/22/showest-2010-%e2%80%93-08-%e2%80%93-dorami-captiview-closed-caption-system/</link>
		<comments>http://www.cinetechgeek.com/2010/04/22/showest-2010-%e2%80%93-08-%e2%80%93-dorami-captiview-closed-caption-system/#comments</comments>
		<pubDate>Wed, 21 Apr 2010 14:50:24 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[Capitview]]></category>
		<category><![CDATA[captions]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[closed captions]]></category>
		<category><![CDATA[dorami]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[subtitles]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=272</guid>
		<description><![CDATA[Doremi Cinema introduces the new CaptiView Closed Caption Viewing System for hearing impaired movie audiences. The CaptiView system transmits and receives AES-128 encrypted closed captions on a wireless band frequency. With an 80 meter signal range, CaptiView can be used from ANY seat in the house. The CaptiView system consists of a small, OLED display [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/22/showest-2010-%e2%80%93-08-%e2%80%93-dorami-captiview-closed-caption-system/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_Uni_Dorami_ClosedCaptionTech.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Doremi Cinema introduces the new CaptiView Closed Caption Viewing System for hearing impaired movie audiences.
The CaptiView system transmits and receives AES-128 encrypted closed captions on a wireless band frequency. With an 80 meter signal range, CaptiView can be used from ANY seat in the house.
The CaptiView system consists of a small, OLED display on a bendable support arm that fits into the theater seat cup holder. The easy-to-read screen is equipped with a rechargable Lithium Ion battery that lasts over 24 hours of continuous use per charge. The high contrast display comes with a privacy visor so it can be positioned directly in front the movie patron with minimal impact or distraction to neighboring patrons.
CaptiView is economically priced to allow the cinema owner to outfit 100% of the multiplex. It runs on the existing Doremi Cinema digital cinema server, so no additional hardware is required. It supports SMPTE and Cinecanvas packages, and can support up to four languages simultaneously.
Doremi Cinema introduces the new CaptiView Closed Caption Viewing System for hearing impaired movie audiences.
The CaptiView system transmits and receives AES-128 encrypted closed captions on a wireless band frequency. With an 80 meter signal range, CaptiView can be used from ANY seat in the house.
The CaptiView system consists of a small, OLED display on a bendable support arm that fits into the theater seat cup holder. The easy-to-read screen is equipped with a rechargable Lithium Ion battery that lasts over 24 hours of continuous use per charge. The high contrast display comes with a privacy visor so it can be positioned directly in front the movie patron with minimal impact or distraction to neighboring patrons.
CaptiView is economically priced to allow the cinema owner to outfit 100% of the multiplex. It runs on the existing Doremi Cinema digital cinema server, so no additional hardware is required. It supports SMPTE and Cinecanvas packages, and can support up to four languages simultaneously.
Sponsor: digitAll
</itunes:summary>
<itunes:subtitle>Doremi Cinema introduces the new CaptiView Closed Caption Viewing System for hearing impaired movie audiences. The CaptiView system transmits and receives AES-128 encrypted closed captions on a wireless band frequency. With an 80 meter signal [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 07 &#8211; USL</title>
		<link>http://www.cinetechgeek.com/2010/04/20/showest-2010-06-usl/</link>
		<comments>http://www.cinetechgeek.com/2010/04/20/showest-2010-06-usl/#comments</comments>
		<pubDate>Tue, 20 Apr 2010 13:17:50 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[7.1]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DAT-100]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[JSD-100]]></category>
		<category><![CDATA[USL]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=266</guid>
		<description><![CDATA[USL is engaged in the manufacture, research and development, and sale of motion picture sound, audio equipment, sound process controls and visual test equipment. At Showest 2010 we have a look at DAT-100, sound test generator and the new Sound Processor JSD-100, supporting the new 7.1 sounds and HI/VI features. We also have a quick look at [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/20/showest-2010-06-usl/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_USL.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>USL is engaged in the manufacture, research and development, and sale of motion picture sound, audio equipment, sound process controls and visual test equipment.
At Showest 2010 we have a look at DAT-100, sound test generator and the new Sound Processor JSD-100, supporting the new 7.1 sounds and HI/VI features.
We also have a quick look at the new Automation integration and TMS system under development.
Plus a quick look at the new Closed Captioning devices. More to follow on that.
Sponser: digitAll
</itunes:summary>
<itunes:subtitle>USL is engaged in the manufacture, research and development, and sale of motion picture sound, audio equipment, sound process controls and visual test equipment. At Showest 2010 we have a look at DAT-100, sound test generator and the new Sound [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 06 &#8211; D-Box Motion CODE / Chair</title>
		<link>http://www.cinetechgeek.com/2010/04/20/showest-2010-06-d-box-motion-code-chair/</link>
		<comments>http://www.cinetechgeek.com/2010/04/20/showest-2010-06-d-box-motion-code-chair/#comments</comments>
		<pubDate>Tue, 20 Apr 2010 13:11:00 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[chair]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[D-Box]]></category>
		<category><![CDATA[motion]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=264</guid>
		<description><![CDATA[D-Box Motion CODE is a ,otion chair company. http://www.d-box.com/ D-BOX Technologies designs and manufactures leading edge high-technology motion systems mainly suited to the needs of the entertainment industry. With its unique, patented technology, « D-BOX Motion Code™ » uses motion effects specifically programmed for each film, TV series or video game, which are sent to [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/20/showest-2010-06-d-box-motion-code-chair/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_MotionChair.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>D-Box Motion CODE is a ,otion chair company.
http://www.d-box.com/
D-BOX Technologies designs and manufactures leading edge high-technology motion systems mainly suited to the needs of the entertainment industry. With its unique, patented technology, « D-BOX Motion Code™ » uses motion effects specifically programmed for each film, TV series or video game, which are sent to a motion generating system integrated within either a platform or a seat. The resulting motion is perfectly synchronized with all onscreen action, creating an unmatched realistic immersive experience. To date, D-BOX Motion Code™ is available on more than 900 titles. Accordingly, many prominent Hollywood studios have started embedding D-BOX Motion Code™ on many Blu-ray™ format and theatrical releases. By reaching agreements with the leaders of both the motion picture and gaming industries, D-BOXs award-winning motion technology is gradually proving itself as a new global standard in the entertainment world.
D-Box Motion CODE is a motion chair company.
http://www.d-box.com/
D-BOX Technologies designs and manufactures leading edge high-technology motion systems mainly suited to the needs of the entertainment industry. With its unique, patented technology, « D-BOX Motion Code™ » uses motion effects specifically programmed for each film, TV series or video game, which are sent to a motion generating system integrated within either a platform or a seat. The resulting motion is perfectly synchronized with all onscreen action, creating an unmatched realistic immersive experience. To date, D-BOX Motion Code™ is available on more than 900 titles. Accordingly, many prominent Hollywood studios have started embedding D-BOX Motion Code™ on many Blu-ray™ format and theatrical releases. By reaching agreements with the leaders of both the motion picture and gaming industries, D-BOXs award-winning motion technology is gradually proving itself as a new global standard in the entertainment world.
Sponsor: digitAll
</itunes:summary>
<itunes:subtitle>D-Box Motion CODE is a ,otion chair company. http://www.d-box.com/ D-BOX Technologies designs and manufactures leading edge high-technology motion systems mainly suited to the needs of the entertainment industry. With its unique, patented [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 05 &#8211; 3D Presentation Quality</title>
		<link>http://www.cinetechgeek.com/2010/04/20/showest-2010-05-3d-presentation-quality/</link>
		<comments>http://www.cinetechgeek.com/2010/04/20/showest-2010-05-3d-presentation-quality/#comments</comments>
		<pubDate>Mon, 19 Apr 2010 14:32:44 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[digital cinema]]></category>
		<category><![CDATA[MasterImage]]></category>
		<category><![CDATA[polarization]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=262</guid>
		<description><![CDATA[Showest 2010 &#8211; University presentations: 3D Presentation Quality &#8211; Putting Up a Great 3D Picture and keeping in that way. By Paul Panabaker of MasterImage. Showest 2010 &#8211; University presentations: 3D Presentation Quality &#8211; Putting Up a Great 3D Picture and keeping in that way. By Paul Panabaker of MasterImage.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/20/showest-2010-05-3d-presentation-quality/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_Uni-3D_Pres_Quality.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Showest 2010 – University presentations:
3D Presentation Quality – Putting Up a Great 3D Picture and keeping in that way.
By Paul Panabaker of MasterImage.
Showest 2010 – University presentations:
3D Presentation Quality – Putting Up a Great 3D Picture and keeping in that way.
By Paul Panabaker of MasterImage.
</itunes:summary>
<itunes:subtitle>Showest 2010 – University presentations: 3D Presentation Quality – Putting Up a Great 3D Picture and keeping in that way. By Paul Panabaker of MasterImage. Showest 2010 – University presentations: 3D Presentation Quality – Putting Up a [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 04 &#8211; Light Levels on 3D screens</title>
		<link>http://www.cinetechgeek.com/2010/04/17/showest-2010-%e2%80%93-04-%e2%80%93-light-levels-on-3d-screens/</link>
		<comments>http://www.cinetechgeek.com/2010/04/17/showest-2010-%e2%80%93-04-%e2%80%93-light-levels-on-3d-screens/#comments</comments>
		<pubDate>Fri, 16 Apr 2010 15:37:12 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[brighness]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[harknessScreens]]></category>
		<category><![CDATA[MasterImage]]></category>
		<category><![CDATA[RealD]]></category>
		<category><![CDATA[screen]]></category>
		<category><![CDATA[silverscreen]]></category>
		<category><![CDATA[Sony]]></category>
		<category><![CDATA[xpand]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=258</guid>
		<description><![CDATA[Archiving Appropriate Light Levels on the Screen for 3D by Andrew Robinson of Harkness Screen This is a very interesting talk mainly because it is the first time i have seen an independent industry person put on paper the actual light levels of each of the 3D system. With all the marketing hype, this is [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/17/showest-2010-%e2%80%93-04-%e2%80%93-light-levels-on-3d-screens/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_Uni-HarknessScreens.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Archiving Appropriate Light Levels on the Screen for 3D by Andrew Robinson of Harkness Screen
This is a very interesting talk mainly because it is the first time i have seen an independent industry person put on paper the actual light levels of each of the 3D system.
With all the marketing hype, this is a good place to start with deciding on what system best suites you.
</itunes:summary>
<itunes:subtitle>Archiving Appropriate Light Levels on the Screen for 3D by Andrew Robinson of Harkness Screen This is a very interesting talk mainly because it is the first time i have seen an independent industry person put on paper the actual light levels of [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 03 &#8211; Overview of 3D systems</title>
		<link>http://www.cinetechgeek.com/2010/04/17/showest-2010-02-overview-of-3d-systems/</link>
		<comments>http://www.cinetechgeek.com/2010/04/17/showest-2010-02-overview-of-3d-systems/#comments</comments>
		<pubDate>Fri, 16 Apr 2010 15:27:55 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[dolby]]></category>
		<category><![CDATA[MasterImage]]></category>
		<category><![CDATA[RealD]]></category>
		<category><![CDATA[xpand]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=254</guid>
		<description><![CDATA[Showest 2010 UNIVERSITY: Overview of 3D Systems Available in the Marketplace and new developments. A great talk by Bill Mead.  Get up to date fast with how 3D makes it to the Cinema screen in every incarnation.  Plus a nice overview of the history of where it came from. Very interesting.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/17/showest-2010-02-overview-of-3d-systems/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_Uni-3D_History.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Showest 2010 UNIVERSITY: Overview of 3D Systems Available in the Marketplace and new developments.
A great talk by Bill Mead.  Get up to date fast with how 3D makes it to the Cinema screen in every incarnation.  Plus a nice overview of the history of where it came from.
Very interesting.
</itunes:summary>
<itunes:subtitle>Showest 2010 UNIVERSITY: Overview of 3D Systems Available in the Marketplace and new developments. A great talk by Bill Mead.  Get up to date fast with how 3D makes it to the Cinema screen in every incarnation.  Plus a nice overview of the [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 02 &#8211; dcpPlayer</title>
		<link>http://www.cinetechgeek.com/2010/04/12/showest-2010-02-dcpplayer/</link>
		<comments>http://www.cinetechgeek.com/2010/04/12/showest-2010-02-dcpplayer/#comments</comments>
		<pubDate>Mon, 12 Apr 2010 12:58:47 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[DCP]]></category>
		<category><![CDATA[dcpPlayer]]></category>
		<category><![CDATA[player]]></category>
		<category><![CDATA[QC]]></category>
		<category><![CDATA[quality control]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=251</guid>
		<description><![CDATA[digitAll announced a new tool called dcpPlayer at the show for those wishing to preview non-encrypted DCP&#8217;s such as Trailers and Advertisements. dcpPlayer is a PC based DCP preview utility that allows you to view a DCP on a windows based PC. The advantages of this tool include. The ability to view a DCP without the [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/12/showest-2010-02-dcpplayer/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_dcpPlayer2.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>digitAll announced a new tool called dcpPlayer at the show for those wishing to preview non-encrypted DCP’s such as Trailers and Advertisements.
dcpPlayer is a PC based DCP preview utility that allows you to view a DCP on a windows based PC.
The advantages of this tool include.

The ability to view a DCP without the need to wait for your DCP screen to become available to you.
Lets you free of the before sessions start or after session finish before you can check a DCP.
Reduces the need to strike a lamp to view a DCP.
Allow you to more simply view a DCP without having to walk into a cinema.
content creators making DCPs can test DCPs created with third part DCP creation software before they send the files.
An amazing tool for sending full bit depth video around the Internet.  Currently there is no real solution for sending more then 8bit depth colour video for preview.

</itunes:summary>
<itunes:subtitle>digitAll announced a new tool called dcpPlayer at the show for those wishing to preview non-encrypted DCP’s such as Trailers and Advertisements. dcpPlayer is a PC based DCP preview utility that allows you to view a DCP on a windows based PC. The [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2010 &#8211; 01 &#8211; Intro</title>
		<link>http://www.cinetechgeek.com/2010/04/09/showest-2010-01-intro/</link>
		<comments>http://www.cinetechgeek.com/2010/04/09/showest-2010-01-intro/#comments</comments>
		<pubDate>Fri, 09 Apr 2010 11:56:25 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[Showest2010]]></category>
		<category><![CDATA[showest]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=249</guid>
		<description><![CDATA[Hello CineTechGeeks,  Yes I did make it to Showest 2010.  In this video I cover some of the notable observation of Showest 2010.  This video will be followed with 10-15 more videos covering many aspects and products of Showest.  Please enjoy.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/04/09/showest-2010-01-intro/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest2010_Intro2.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Hello CineTechGeeks,  Yes I did make it to Showest 2010.  In this video I cover some of the notable observation of Showest 2010.  This video will be followed with 10-15 more videos covering many aspects and products of Showest.  Please enjoy.
</itunes:summary>
<itunes:subtitle>Hello CineTechGeeks,  Yes I did make it to Showest 2010.  In this video I cover some of the notable observation of Showest 2010.  This video will be followed with 10-15 more videos covering many aspects and products of Showest.  Please enjoy.</itunes:subtitle>
	</item>
		<item>
		<title>The challenge for remote cinemas</title>
		<link>http://www.cinetechgeek.com/2010/01/20/the-challenge-for-remote-cinemas/</link>
		<comments>http://www.cinetechgeek.com/2010/01/20/the-challenge-for-remote-cinemas/#comments</comments>
		<pubDate>Wed, 20 Jan 2010 10:39:11 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[fenwick]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[IT]]></category>
		<category><![CDATA[remote]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=244</guid>
		<description><![CDATA[In this video I talk with Phil, the head tech at Fenwick 3 in Esperance, Western Australia. This is a very remote location with special needs and skill sets. Let Phil explain..]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2010/01/20/the-challenge-for-remote-cinemas/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/RemoteCinemaChallenges.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video I talk with Phil, the head tech at Fenwick 3 in Esperance, Western Australia.  This is a very remote location with special needs and skill sets.  Let Phil explain..
</itunes:summary>
<itunes:subtitle>In this video I talk with Phil, the head tech at Fenwick 3 in Esperance, Western Australia. This is a very remote location with special needs and skill sets. Let Phil explain..</itunes:subtitle>
	</item>
		<item>
		<title>Pink and Green screen &amp; 3D content on a 2D screen</title>
		<link>http://www.cinetechgeek.com/2009/12/03/pink-and-green-screen-3d-content-on-a-2d-screen/</link>
		<comments>http://www.cinetechgeek.com/2009/12/03/pink-and-green-screen-3d-content-on-a-2d-screen/#comments</comments>
		<pubDate>Wed, 02 Dec 2009 21:51:20 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[exhibition]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=241</guid>
		<description><![CDATA[In this video I discuss the Pink and Green colours on screen and why some times we get them by mistake when going into a show.  This is the result of 3D content mixed into a 2D show. From here we discuss how we can display content supplied in 3D, and make it work on [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/12/03/pink-and-green-screen-3d-content-on-a-2d-screen/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/3D_on_2D_screen.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video I discuss the Pink and Green colours on screen and why some times we get them by mistake when going into a show.  This is the result of 3D content mixed into a 2D show.
From here we discuss how we can display content supplied in 3D, and make it work on a 2D screen.
</itunes:summary>
<itunes:subtitle>In this video I discuss the Pink and Green colours on screen and why some times we get them by mistake when going into a show.  This is the result of 3D content mixed into a 2D show. From here we discuss how we can display content supplied in 3D, [...]</itunes:subtitle>
	</item>
		<item>
		<title>The future of streaming content in a cinema.</title>
		<link>http://www.cinetechgeek.com/2009/10/21/the-future-of-streaming-content-in-a-cinema/</link>
		<comments>http://www.cinetechgeek.com/2009/10/21/the-future-of-streaming-content-in-a-cinema/#comments</comments>
		<pubDate>Tue, 20 Oct 2009 21:20:40 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[alternate]]></category>
		<category><![CDATA[concert]]></category>
		<category><![CDATA[content]]></category>
		<category><![CDATA[DVB]]></category>
		<category><![CDATA[DVB-S]]></category>
		<category><![CDATA[DVB-T]]></category>
		<category><![CDATA[live]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[perfomance]]></category>
		<category><![CDATA[satelitte]]></category>
		<category><![CDATA[streaming]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=235</guid>
		<description><![CDATA[This is the second part (Part 2 of 2).  The first half is called What can I plug into a DCI projector. Following on from what we can plug into a DCI projector, in this following video I show you some technology my company &#8220;digitAll&#8221; is working on to answer the many issues associated with [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/10/21/the-future-of-streaming-content-in-a-cinema/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/The_Future_of_streaming_content_in_a_cinema.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>This is the second part (Part 2 of 2).  The first half is called What can I plug into a DCI projector.
Following on from what we can plug into a DCI projector, in this following video I show you some technology my company “digitAll” is working on to answer the many issues associated with this issue.  It also answer the future trends of alternate content in the cinema and how to make it seamless to show streaming real time content on one or more screens with little effort and cost.

</itunes:summary>
<itunes:subtitle>This is the second part (Part 2 of 2).  The first half is called What can I plug into a DCI projector. Following on from what we can plug into a DCI projector, in this following video I show you some technology my company “digitAll” is working [...]</itunes:subtitle>
	</item>
		<item>
		<title>What can I plug into a DCI projector.</title>
		<link>http://www.cinetechgeek.com/2009/10/20/what-can-i-plug-into-a-dci-projector/</link>
		<comments>http://www.cinetechgeek.com/2009/10/20/what-can-i-plug-into-a-dci-projector/#comments</comments>
		<pubDate>Tue, 20 Oct 2009 12:43:49 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[alternate]]></category>
		<category><![CDATA[content]]></category>
		<category><![CDATA[converter]]></category>
		<category><![CDATA[scan]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=202</guid>
		<description><![CDATA[This video is part 1 of 2.  Find the second half &#8220;The future of streaming content in a cinema.&#8221; here. It has been a busy time for me.  I have been working on some new technology so my time to put into cinetechgeek has been limited. I hope you find this video helpful.  The question [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/10/20/what-can-i-plug-into-a-dci-projector/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/What_can_I_plug_into_a_DCI_projector.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>This video is part 1 of 2.  Find the second half “The future of streaming content in a cinema.” here.
It has been a busy time for me.  I have been working on some new technology so my time to put into cinetechgeek has been limited.
I hope you find this video helpful.  The question of what can I plug into a DCI projector is a common one.  There are limitations.  In this video I cover what you can plug into a DCI projector.  But this is only the start.  Knowing what you can plug in, and actually programming a DCI projector to accept the type of signal are two very different and difficult issues.  This video covers the first issue.  I will make a video later to generally, considering the 3 different makes,  cover how to program the projectors.
This is a long video so I have broken it up into two sections. (Keep under 10 min so friendly with YouTube).  The second video is called “The future of streaming content in a Cinema”.  It covers new ways to move content around a cinema and a prototype of that technology.
Please enjoy this video, following is adjoining content mentioned in the video.

—
As shown in the video, view the NEC NC-projector list/table of supported signals that can go into a DCI projector.  This list is the same for NEC, Christie and Barco.  Download the PDF here.
—
Christie Comments on HDCP in their projectors
Q: “How/what do you look for in the interface to know if the projector has the HDCP (for DVI port) supported interface card installed?”
Answer: Determining HDCP Support for Christie Series-1 Digital Cinema Projectors

All CP2000-ZX and CP2000-M projectors are and always have been HDCP compliant. Christie was the first DLP cinema OEM to provide for this functionality before TI included it on their interface boards in 2008. When Christie unveiled the HDCP capable ZX far ahead of the competition, it caused other OEMs to pressure TI into releasing an HDCP compliant board for all OEMs. For older projectors (prior to 2008)
HDCP support is determined by the version of Interface Board. Christie Engineers will typically check HDCP compliance based on Interface Board Type using the ‘DLP control program’. Only Interface Boards ‘Type 4’ are HDCP compliant. End-users with legacy projectors (for example, the CP2000-H/i/S/X) may also visually inspect the upper left corner of the interface board (part # for the HDCP model is 002-120383-xx ).

Series 	1 SR – Secure ready (Type 2)
Series 	1 S – Secure (upgraded 1SR) (Type 3)
Series 	1 RH – RoHS Hybrid (Type 3)
Series 	1 R- RoHS Compliant (Type 3)
Series 	1CP – HDCP enabled (Type 4)
NOTE: 	 (The new Type 6 Encapsulated Security Kit, HDCP, is now available, 	PN 003-120460-XX, See Image 2)


Image 2: Type 6 – Encapsulated Security Kit, HDCP
Metal enclosure with a special tamper responsive surface.
Image 1: DLP Interrogator Program

To simplify the question of HDCP support, Christie will soon be posting a simple utility ‘DLP Interface Interrogator’ which connects via Ethernet (or via a serial cable to the RS232A) to any CP2000 and provides information. Please see the preview file attached DLP Interface Interrogator vid.wmv. Feel free to post this video clip (we hope to make the tool publicly available on-line in the next 4-6 weeks).
James Gardiner: Information regarding the customized Gefen ‘A/V Cinema Pro’ Video scalers?

Answer:
This is a low cost alternative to the CineIPM2K and does pass HDCP compliant content on to the projector. It allows pass-through of 7.1 analog and AES/EBU digital audio from Digital Cinema servers (in bypass mode) and provides easy ‘video + audio’ integration for consumer type devices like Blu-Ray players &amp; PC’s, with a wide range of sources routed to the Christie projector DVI input (at either 60P, or as a 24P pass-thru). The Gefen units also support some basic audio functions like HDMI dis-embedding and D to A conversion, with most inputs allowing either digital or analog audio to [...]</itunes:summary>
<itunes:subtitle>This video is part 1 of 2.  Find the second half “The future of streaming content in a cinema.” here. It has been a busy time for me.  I have been working on some new technology so my time to put into cinetechgeek has been limited. I hope you [...]</itunes:subtitle>
	</item>
		<item>
		<title>3D Windows and Masking for 3D in Cinemas</title>
		<link>http://www.cinetechgeek.com/2009/08/11/3d-windows-and-masking-for-3d-in-cinemas/</link>
		<comments>http://www.cinetechgeek.com/2009/08/11/3d-windows-and-masking-for-3d-in-cinemas/#comments</comments>
		<pubDate>Tue, 11 Aug 2009 11:03:18 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[disney]]></category>
		<category><![CDATA[keystone]]></category>
		<category><![CDATA[masking]]></category>
		<category><![CDATA[walt]]></category>
		<category><![CDATA[windows]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=186</guid>
		<description><![CDATA[In this video I describe a new 3D presentation method in which you do not mask out all the unused area.  This area is used to enhance the 3D effect. I then show the Video from Walt Disney which shows a new SCOPE on FLAT 3 effect.  Finally I  describe a major problem with the [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/08/11/3d-windows-and-masking-for-3d-in-cinemas/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/3Dwindows-DCI_Cinema.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video I describe a new 3D presentation method in which you do not mask out all the unused area.  This area is used to enhance the 3D effect. I then show the Video from Walt Disney which shows a new SCOPE on FLAT 3 effect.  Finally I  describe a major problem with the use of this technique.
</itunes:summary>
<itunes:subtitle>In this video I describe a new 3D presentation method in which you do not mask out all the unused area.  This area is used to enhance the 3D effect. I then show the Video from Walt Disney which shows a new SCOPE on FLAT 3 effect.  Finally I  [...]</itunes:subtitle>
	</item>
		<item>
		<title>The RealD-XL 3D system. Better, brighter 3D.</title>
		<link>http://www.cinetechgeek.com/2009/07/06/the-reald-xl-3d-system-better-brighter-3d/</link>
		<comments>http://www.cinetechgeek.com/2009/07/06/the-reald-xl-3d-system-better-brighter-3d/#comments</comments>
		<pubDate>Mon, 06 Jul 2009 11:56:15 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[dCinema]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=180</guid>
		<description><![CDATA[In this video I take a look at the RealD-XL 3D attachment for DCI-cinema digital projectors. I look at how the new XL product, an evolution of the Z-Screen system, can re-use the light discarded by the z-screen and effectively double the efficiency of the original Z-Screen system. RealD is dominant in the 3D market. [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/07/06/the-reald-xl-3d-system-better-brighter-3d/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/RealD-XL-DCI_Cinema.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video I take a look at the RealD-XL 3D attachment for DCI-cinema digital projectors.  I look at how the new XL product, an evolution of the Z-Screen system, can re-use the light discarded by the z-screen and effectively double the efficiency of the original Z-Screen system.
RealD is dominant in the 3D market.  The XL, with its supiriour light output, is likely to keep them their as it allows the use of mid-sized projectors (Cheaper cost/running) then 3D systems comeing before the XL.
</itunes:summary>
<itunes:subtitle>In this video I take a look at the RealD-XL 3D attachment for DCI-cinema digital projectors. I look at how the new XL product, an evolution of the Z-Screen system, can re-use the light discarded by the z-screen and effectively double the efficiency [...]</itunes:subtitle>
	</item>
		<item>
		<title>Cinema and Digital Media. Now and into the future.</title>
		<link>http://www.cinetechgeek.com/2009/06/14/cinema-and-digital-media-now-and-into-the-future/</link>
		<comments>http://www.cinetechgeek.com/2009/06/14/cinema-and-digital-media-now-and-into-the-future/#comments</comments>
		<pubDate>Sun, 14 Jun 2009 08:27:05 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[ARC]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[media]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=167</guid>
		<description><![CDATA[In this video I discuss the future of the types of digital media files a cinema is likely to get.  From a DCI-DCP feature film file on a Hard drive, to typical digital media files such a used by Youtube or for general sending video around the internet.  I discuss the likely methods cinema may [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/06/14/cinema-and-digital-media-now-and-into-the-future/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/DigitalMediaAndCinema-DCI_Cinema.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video I discuss the future of the types of digital media files a cinema is likely to get.  From a DCI-DCP feature film file on a Hard drive, to typical digital media files such a used by Youtube or for general sending video around the internet.  I discuss the likely methods cinema may approach in getting these files on screen and the options they have.
</itunes:summary>
<itunes:subtitle>In this video I discuss the future of the types of digital media files a cinema is likely to get.  From a DCI-DCP feature film file on a Hard drive, to typical digital media files such a used by Youtube or for general sending video around the [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest – Qube Cinema &#8211; player and DCP creation</title>
		<link>http://www.cinetechgeek.com/2009/06/14/showest-%e2%80%93-qube-cinema-player-and-dcp-creation/</link>
		<comments>http://www.cinetechgeek.com/2009/06/14/showest-%e2%80%93-qube-cinema-player-and-dcp-creation/#comments</comments>
		<pubDate>Sun, 14 Jun 2009 01:30:42 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[showest]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=158</guid>
		<description><![CDATA[Qube cinema shows us the new DCI player, the DX20, a collaboration between Qube and DTS. Rajesh also shows us Qube Master Express to convert general media files into DCP files compatible with d-cinema (DCI) media players.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/06/14/showest-%e2%80%93-qube-cinema-player-and-dcp-creation/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/DTS_Qube_DC20_DCI_Player-Showest2009_v6.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Qube cinema shows us the new DCI player, the DX20, a collaboration between Qube and DTS. Rajesh also shows us Qube Master Express to convert general media files into DCP files compatible with d-cinema (DCI) media players.

</itunes:summary>
<itunes:subtitle>Qube cinema shows us the new DCI player, the DX20, a collaboration between Qube and DTS. Rajesh also shows us Qube Master Express to convert general media files into DCP files compatible with d-cinema (DCI) media players.</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; NEC DCI Projectors</title>
		<link>http://www.cinetechgeek.com/2009/05/05/showest-nec-dci-projectors/</link>
		<comments>http://www.cinetechgeek.com/2009/05/05/showest-nec-dci-projectors/#comments</comments>
		<pubDate>Tue, 05 May 2009 11:59:57 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[nc1600]]></category>
		<category><![CDATA[NC800]]></category>
		<category><![CDATA[NEC]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=140</guid>
		<description><![CDATA[Jim Reisteter, General Manager, Digital Cinema Division at NEC takes us through whats happening with NEC projectors and roll out announcements.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/05/05/showest-nec-dci-projectors/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/NEC-Showest2009_v5.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Jim Reisteter, General Manager, Digital Cinema Division at NEC takes us through whats happening with NEC projectors and roll out announcements.
</itunes:summary>
<itunes:subtitle>Jim Reisteter, General Manager, Digital Cinema Division at NEC takes us through whats happening with NEC projectors and roll out announcements.</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; DTS &#8211; DCI media player and tools</title>
		<link>http://www.cinetechgeek.com/2009/05/04/showest-dts-dci-media-player-and-tools/</link>
		<comments>http://www.cinetechgeek.com/2009/05/04/showest-dts-dci-media-player-and-tools/#comments</comments>
		<pubDate>Sun, 03 May 2009 14:22:49 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[DC20]]></category>
		<category><![CDATA[DTS]]></category>
		<category><![CDATA[TMS]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=137</guid>
		<description><![CDATA[DTS and Qube join forces to create the DC20 SMS (Screen managemant system) or DCI media player.  This ads to DTS work in the TMS (Theatre management system) area.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/05/04/showest-dts-dci-media-player-and-tools/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/DTS_Qube_DC20_DCI_Player-Showest2009_v6.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>DTS and Qube join forces to create the DC20 SMS (Screen managemant system) or DCI media player.  This ads to DTS work in the TMS (Theatre management system) area.
</itunes:summary>
<itunes:subtitle>DTS and Qube join forces to create the DC20 SMS (Screen managemant system) or DCI media player.  This ads to DTS work in the TMS (Theatre management system) area.</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; DTS &#8211; XD20</title>
		<link>http://www.cinetechgeek.com/2009/05/04/showest-dts-xd20/</link>
		<comments>http://www.cinetechgeek.com/2009/05/04/showest-dts-xd20/#comments</comments>
		<pubDate>Sun, 03 May 2009 14:17:20 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[DX20]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=135</guid>
		<description><![CDATA[The DTS DX20 is a digital media player that film audio and high definition video out.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/05/04/showest-dts-xd20/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/DTS_XD20-Showest2009_v6.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>The DTS DX20 is a digital media player that film audio and high definition video out.
</itunes:summary>
<itunes:subtitle>The DTS DX20 is a digital media player that film audio and high definition video out.</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; DTS &#8211; MasterImage 3D</title>
		<link>http://www.cinetechgeek.com/2009/05/04/showest-dts-masterimage-3d/</link>
		<comments>http://www.cinetechgeek.com/2009/05/04/showest-dts-masterimage-3d/#comments</comments>
		<pubDate>Sun, 03 May 2009 14:10:01 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[DTS]]></category>
		<category><![CDATA[MasterImage]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=133</guid>
		<description><![CDATA[Sperling from DTS shows us the MasterImage 3D system. This system uses polarising filters by using a spinning wheel in front of the DCI projector lens.  It can be moved from projector to projector.  It requires a silver screen like all Polarising 3D system.  It also  makes use of the inexpensive/disposable 3D glasses.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/05/04/showest-dts-masterimage-3d/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/DTS_MasterImage-Showest2009_v6.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Sperling from DTS shows us the MasterImage 3D system. This system uses polarising filters by using a spinning wheel in front of the DCI projector lens.  It can be moved from projector to projector.  It requires a silver screen like all Polarising 3D system.  It also  makes use of the inexpensive/disposable 3D glasses.
</itunes:summary>
<itunes:subtitle>Sperling from DTS shows us the MasterImage 3D system. This system uses polarising filters by using a spinning wheel in front of the DCI projector lens.  It can be moved from projector to projector.  It requires a silver screen like all Polarising [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; QSC audio solutions for Cinema</title>
		<link>http://www.cinetechgeek.com/2009/04/25/showest-qsc-audio-solutions-for-cinema/</link>
		<comments>http://www.cinetechgeek.com/2009/04/25/showest-qsc-audio-solutions-for-cinema/#comments</comments>
		<pubDate>Sat, 25 Apr 2009 13:33:45 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[DCP-300]]></category>
		<category><![CDATA[QSC]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=130</guid>
		<description><![CDATA[At Showest this year QSC introduces their new Audio processor, the DCP-300.  A very impressive unit with more options and integration that I could have ever imagines for a sound system. In brief &#8211; A Cinema Processor, Booth Monitor and Digital Crossover along with network control and monitoring of DSP, amplifiers and speakers in one [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/25/showest-qsc-audio-solutions-for-cinema/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/QSC-DCP300-Showest2009_v5.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>At Showest this year QSC introduces their new Audio processor, the DCP-300.  A very impressive unit with more options and integration that I could have ever imagines for a sound system.
In brief – A Cinema Processor, Booth Monitor and Digital Crossover along with network
control and monitoring of DSP, amplifiers and speakers in one integrated package.
</itunes:summary>
<itunes:subtitle>At Showest this year QSC introduces their new Audio processor, the DCP-300.  A very impressive unit with more options and integration that I could have ever imagines for a sound system. In brief – A Cinema Processor, Booth Monitor and Digital [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; Christie</title>
		<link>http://www.cinetechgeek.com/2009/04/24/showest-christie/</link>
		<comments>http://www.cinetechgeek.com/2009/04/24/showest-christie/#comments</comments>
		<pubDate>Fri, 24 Apr 2009 13:33:36 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[christie]]></category>
		<category><![CDATA[ILS]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=128</guid>
		<description><![CDATA[Christie Digital, Jennifer takes us though some of the new features to the Christie Digital Cinema Range and we take a close look at the new mechanical lens for 2000 series digial cinema (DCI) projectors.  See THIS link for a link to a Video on ow to INSTALL the lens kit.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/24/showest-christie/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Christie-Showest2009_v5.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Christie Digital, Jennifer takes us though some of the new features to the Christie Digital Cinema Range and we take a close look at the new mechanical lens for 2000 series digial cinema (DCI) projectors.  See THIS link for a link to a Video on ow to INSTALL the lens kit.
</itunes:summary>
<itunes:subtitle>Christie Digital, Jennifer takes us though some of the new features to the Christie Digital Cinema Range and we take a close look at the new mechanical lens for 2000 series digial cinema (DCI) projectors.  See THIS link for a link to a Video on ow [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; AcoustX &#8211; Acoustical Measurement System</title>
		<link>http://www.cinetechgeek.com/2009/04/21/showest-usl/</link>
		<comments>http://www.cinetechgeek.com/2009/04/21/showest-usl/#comments</comments>
		<pubDate>Tue, 21 Apr 2009 03:17:19 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[AcoustX]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Measurement]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=114</guid>
		<description><![CDATA[Tim Holmes from &#8220;AcoustX – the industry experts in audio analysis for cinema, broadcast, and home theatre&#8221; shows us the &#8220;D2 System&#8220;. The D2 Acoustical Measurement System is used by cinema professionals around the world in motion picture dubbing stages, commercial cinemas, and home theatres. It is a comprehensive approach to cinema testing.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/21/showest-usl/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/02_USL_Tim_Audio-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Tim Holmes from “AcoustX – the industry experts in audio analysis for cinema, broadcast, and home theatre” shows us the “D2 System“.
The D2 Acoustical Measurement System is used by cinema professionals around the world in motion picture dubbing stages, commercial cinemas, and home theatres.  It is a comprehensive approach  to cinema testing.
</itunes:summary>
<itunes:subtitle>Tim Holmes from “AcoustX – the industry experts in audio analysis for cinema, broadcast, and home theatre” shows us the “D2 System“. The D2 Acoustical Measurement System is used by cinema professionals around the world in motion picture [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; USL &#8211; Captioning</title>
		<link>http://www.cinetechgeek.com/2009/04/19/showest-usl-captioning/</link>
		<comments>http://www.cinetechgeek.com/2009/04/19/showest-usl-captioning/#comments</comments>
		<pubDate>Sun, 19 Apr 2009 13:09:17 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[captioning]]></category>
		<category><![CDATA[USL]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=112</guid>
		<description><![CDATA[USL was showing of some new products current and in development for use in closed captions.  Closed captioning will soon be government mandated in many parts of the world.   As a cinema exhibitor, these new products are something you should be aware of.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/19/showest-usl-captioning/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/02_USL_Captioning-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>USL was showing of some new products current and in development for use in closed captions.  Closed captioning will soon be government mandated in many parts of the world.   As a cinema exhibitor, these new products are something you should be aware of.
</itunes:summary>
<itunes:subtitle>USL was showing of some new products current and in development for use in closed captions.  Closed captioning will soon be government mandated in many parts of the world.   As a cinema exhibitor, these new products are something you should be [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; MiT</title>
		<link>http://www.cinetechgeek.com/2009/04/18/showest-mit/</link>
		<comments>http://www.cinetechgeek.com/2009/04/18/showest-mit/#comments</comments>
		<pubDate>Sat, 18 Apr 2009 13:06:30 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[showest]]></category>
		<category><![CDATA[MiT]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=110</guid>
		<description><![CDATA[MOVING iMAGE TECHNOLOGIES produces a full complement of motion picture equipment and services including: custom engineering, systems design, integration, digital technology solutions for 3D, digital cinema, pre-feature on-screen advertising and other components to support the cinema industry’s transition to digital.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/18/showest-mit/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/MiT-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>MOVING iMAGE TECHNOLOGIES produces a full complement of motion picture equipment and services including: custom engineering, systems design, integration, digital technology solutions for 3D, digital cinema, pre-feature on-screen advertising and other components to support the cinema industry’s transition to digital.
</itunes:summary>
<itunes:subtitle>MOVING iMAGE TECHNOLOGIES produces a full complement of motion picture equipment and services including: custom engineering, systems design, integration, digital technology solutions for 3D, digital cinema, pre-feature on-screen advertising and [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; CRU-Dataport</title>
		<link>http://www.cinetechgeek.com/2009/04/17/showest-cru-dataport/</link>
		<comments>http://www.cinetechgeek.com/2009/04/17/showest-cru-dataport/#comments</comments>
		<pubDate>Fri, 17 Apr 2009 13:00:26 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[CRD-Dataport]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=108</guid>
		<description><![CDATA[CRU-Dataport is the standard way for sending DCI-DCP&#8217;s (Films in the DCI digital format) around via Hard Drive.  The CRU-Dataport system has been adopted by all (SMS) DCI-player manufactuer.  This allows you to plug the drive directly into the Player usig ualtra fast SATA interface to import/ingest the DCP onto the player.  Or in an [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/17/showest-cru-dataport/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/CRU-DataPort-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>CRU-Dataport is the standard way for sending DCI-DCP’s (Films in the DCI digital format) around via Hard Drive.  The CRU-Dataport system has been adopted by all (SMS) DCI-player manufactuer.  This allows you to plug the drive directly into the Player usig ualtra fast SATA interface to import/ingest the DCP onto the player.  Or in an emergancy, play the DCP directly of the hard drive.
</itunes:summary>
<itunes:subtitle>CRU-Dataport is the standard way for sending DCI-DCP’s (Films in the DCI digital format) around via Hard Drive.  The CRU-Dataport system has been adopted by all (SMS) DCI-player manufactuer.  This allows you to plug the drive directly into the [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; Sony &#8211; TMS</title>
		<link>http://www.cinetechgeek.com/2009/04/16/showest-sony-tms/</link>
		<comments>http://www.cinetechgeek.com/2009/04/16/showest-sony-tms/#comments</comments>
		<pubDate>Thu, 16 Apr 2009 08:04:08 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[Sony]]></category>
		<category><![CDATA[TMS]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=104</guid>
		<description><![CDATA[The Sony TMS (Theatre Management System).]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/16/showest-sony-tms/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/04_Sony_Monitor_TMS-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>The Sony TMS (Theatre Management System).
</itunes:summary>
<itunes:subtitle>The Sony TMS (Theatre Management System).</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; Sony &#8211; Projectors</title>
		<link>http://www.cinetechgeek.com/2009/04/16/showest-sony-projectors/</link>
		<comments>http://www.cinetechgeek.com/2009/04/16/showest-sony-projectors/#comments</comments>
		<pubDate>Thu, 16 Apr 2009 07:58:27 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[FIPS]]></category>
		<category><![CDATA[RealD]]></category>
		<category><![CDATA[Sony]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=102</guid>
		<description><![CDATA[In this video, Sony shows of the new, soon to be FIPS compliant, 4K projector running the new RealD duel lens system. We cover many aspects of the Sony system and how it compares to the more typical DCI implementations from the other projectors makers.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/16/showest-sony-projectors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/04_Sony-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video, Sony shows of the new, soon to be FIPS compliant, 4K projector running the new RealD duel lens system.
We cover many aspects of the Sony system and how it compares to the more typical DCI implementations from the other projectors makers.
</itunes:summary>
<itunes:subtitle>In this video, Sony shows of the new, soon to be FIPS compliant, 4K projector running the new RealD duel lens system. We cover many aspects of the Sony system and how it compares to the more typical DCI implementations from the other projectors makers.</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; Dolby &#8211; Cinema System</title>
		<link>http://www.cinetechgeek.com/2009/04/15/showest-dolby-cinema-system/</link>
		<comments>http://www.cinetechgeek.com/2009/04/15/showest-dolby-cinema-system/#comments</comments>
		<pubDate>Wed, 15 Apr 2009 07:56:05 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[dolby]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=100</guid>
		<description><![CDATA[In this video we go over the Dolby cinema system.  From sound processor, Digital Video server, to 3D colour wheel and automation.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/15/showest-dolby-cinema-system/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/03_Dolby_Solutions-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video we go over the Dolby cinema system.  From sound processor, Digital Video server, to 3D colour wheel and automation.
</itunes:summary>
<itunes:subtitle>In this video we go over the Dolby cinema system.  From sound processor, Digital Video server, to 3D colour wheel and automation.</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; Dolby &#8211; New Sound Processor</title>
		<link>http://www.cinetechgeek.com/2009/04/15/showest-dolby-new-sound-processor/</link>
		<comments>http://www.cinetechgeek.com/2009/04/15/showest-dolby-new-sound-processor/#comments</comments>
		<pubDate>Wed, 15 Apr 2009 07:52:02 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[dolby audio]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=98</guid>
		<description><![CDATA[In this video I cover the new Dolby CP750 sound processor. It includes showing the front and read of the unit, plus an overview of the software and built in xCurve capabilities.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/15/showest-dolby-new-sound-processor/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/03_Dolby_SP-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video I cover the new Dolby CP750 sound processor.
It includes showing the front and read of the unit, plus an overview of the software and built in xCurve capabilities.
</itunes:summary>
<itunes:subtitle>In this video I cover the new Dolby CP750 sound processor. It includes showing the front and read of the unit, plus an overview of the software and built in xCurve capabilities.</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; USL &#8211; Audio Processors</title>
		<link>http://www.cinetechgeek.com/2009/04/14/showest-usl-audio-processors/</link>
		<comments>http://www.cinetechgeek.com/2009/04/14/showest-usl-audio-processors/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 07:47:29 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[Audio]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=96</guid>
		<description><![CDATA[This video covers USL audio procoessors and specifically the new JSD-100 which is specifically made for DCI installs.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/14/showest-usl-audio-processors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/02_USL_AUDIO-Showest2009.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>This video covers USL audio procoessors and specifically the new JSD-100 which is specifically made for DCI installs.
</itunes:summary>
<itunes:subtitle>This video covers USL audio procoessors and specifically the new JSD-100 which is specifically made for DCI installs.</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; USL &#8211; Measurement Tools</title>
		<link>http://www.cinetechgeek.com/2009/04/14/showest-usl-measurement-tools/</link>
		<comments>http://www.cinetechgeek.com/2009/04/14/showest-usl-measurement-tools/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 07:37:19 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[showest]]></category>
		<category><![CDATA[measurment]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=94</guid>
		<description><![CDATA[A common issue overlooked by cinema owners when installing DCI cinema kit is the tools required for upkeep.  This video covers tools from USL that answer this need and hopefully help the cinema owner understand some of the ongoing costs and why they exist. This video covers Projection Color Analyzer orspot meter (PCA-100)  for colour [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/14/showest-usl-measurement-tools/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/02_USL_Measurment-Showest2009.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>A common issue overlooked by cinema owners when installing DCI cinema kit is the tools required for upkeep.  This video covers tools from USL that answer this need and hopefully help the cinema owner understand some of the ongoing costs and why they exist.
This video covers

Projection Color Analyzer orspot meter (PCA-100)  for colour calibration of a DCI projector
Video Convergence Camera (VCC-100) for aligning the RGB DMD/DLP chips on a DCI projector
 Projection System Analyzers(PSA-200U)

</itunes:summary>
<itunes:subtitle>A common issue overlooked by cinema owners when installing DCI cinema kit is the tools required for upkeep.  This video covers tools from USL that answer this need and hopefully help the cinema owner understand some of the ongoing costs and why [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; VPF &#8211; Part 6of6</title>
		<link>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-6of6/</link>
		<comments>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-6of6/#comments</comments>
		<pubDate>Mon, 13 Apr 2009 07:36:01 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[showest]]></category>
		<category><![CDATA[VPF]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=90</guid>
		<description><![CDATA[Video of  &#8220;Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?&#8221; panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &#38; Exhibition at Twentieth Century Fox Bill Campbell, Managing Director of the [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-6of6/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest_VPF_06-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas.
Panel:

 Mark Christiansen, Paramount’s Executive Vice President of Operations
 Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &amp; Exhibition at Twentieth Century Fox
Bill Campbell, Managing Director of the Cinema Buying Group
George Solomon, Southern Theatres CEO
Andrew Sriubas, a Managing Director of JP Morgan Investment Bank.
 Moderator: G. Kendrick Macdowell, general counsel for the National Association of Theatre Owners, .

</itunes:summary>
<itunes:subtitle>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; VPF &#8211; Part 5of6</title>
		<link>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-1of6-2/</link>
		<comments>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-1of6-2/#comments</comments>
		<pubDate>Mon, 13 Apr 2009 07:35:14 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[showest]]></category>
		<category><![CDATA[VPF]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=88</guid>
		<description><![CDATA[Video of  &#8220;Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?&#8221; panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &#38; Exhibition at Twentieth Century Fox Bill Campbell, Managing Director of the [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-1of6-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest_VPF_05-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas.
Panel:

 Mark Christiansen, Paramount’s Executive Vice President of Operations
 Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &amp; Exhibition at Twentieth Century Fox
Bill Campbell, Managing Director of the Cinema Buying Group
George Solomon, Southern Theatres CEO
Andrew Sriubas, a Managing Director of JP Morgan Investment Bank.
 Moderator: G. Kendrick Macdowell, general counsel for the National Association of Theatre Owners, .

</itunes:summary>
<itunes:subtitle>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; VPF &#8211; Part 4of6</title>
		<link>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-4of6/</link>
		<comments>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-4of6/#comments</comments>
		<pubDate>Mon, 13 Apr 2009 07:34:33 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[showest]]></category>
		<category><![CDATA[VPF]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=86</guid>
		<description><![CDATA[Video of  &#8220;Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?&#8221; panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &#38; Exhibition at Twentieth Century Fox Bill Campbell, Managing Director of the [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-4of6/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest_VPF_04-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas.
Panel:

 Mark Christiansen, Paramount’s Executive Vice President of Operations
 Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &amp; Exhibition at Twentieth Century Fox
Bill Campbell, Managing Director of the Cinema Buying Group
George Solomon, Southern Theatres CEO
Andrew Sriubas, a Managing Director of JP Morgan Investment Bank.
 Moderator: G. Kendrick Macdowell, general counsel for the National Association of Theatre Owners, .

</itunes:summary>
<itunes:subtitle>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; VPF &#8211; Part 3of6</title>
		<link>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-3of6/</link>
		<comments>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-3of6/#comments</comments>
		<pubDate>Mon, 13 Apr 2009 07:33:46 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[showest]]></category>
		<category><![CDATA[VPF]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=84</guid>
		<description><![CDATA[Video of  &#8220;Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?&#8221; panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &#38; Exhibition at Twentieth Century Fox Bill Campbell, Managing Director of the [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-3of6/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest_VPF_03-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas.
Panel:

 Mark Christiansen, Paramount’s Executive Vice President of Operations
 Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &amp; Exhibition at Twentieth Century Fox
Bill Campbell, Managing Director of the Cinema Buying Group
George Solomon, Southern Theatres CEO
Andrew Sriubas, a Managing Director of JP Morgan Investment Bank.
 Moderator: G. Kendrick Macdowell, general counsel for the National Association of Theatre Owners, .

</itunes:summary>
<itunes:subtitle>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; VPF &#8211; Part 2of6</title>
		<link>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-2of6/</link>
		<comments>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-2of6/#comments</comments>
		<pubDate>Mon, 13 Apr 2009 07:32:42 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[showest]]></category>
		<category><![CDATA[VPF]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=81</guid>
		<description><![CDATA[Video of  &#8220;Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?&#8221; panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &#38; Exhibition at Twentieth Century Fox Bill Campbell, Managing Director of the [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-2of6/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest_VPF_02-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas.
Panel:

 Mark Christiansen, Paramount’s Executive Vice President of Operations
 Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &amp; Exhibition at Twentieth Century Fox
Bill Campbell, Managing Director of the Cinema Buying Group
George Solomon, Southern Theatres CEO
Andrew Sriubas, a Managing Director of JP Morgan Investment Bank.
 Moderator: G. Kendrick Macdowell, general counsel for the National Association of Theatre Owners, .

</itunes:summary>
<itunes:subtitle>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest &#8211; VPF &#8211; Part 1of6</title>
		<link>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-1of6/</link>
		<comments>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-1of6/#comments</comments>
		<pubDate>Mon, 13 Apr 2009 07:31:36 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[showest]]></category>
		<category><![CDATA[VPF]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=79</guid>
		<description><![CDATA[Video of  &#8220;Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?&#8221; panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &#38; Exhibition at Twentieth Century Fox Bill Campbell, Managing Director of the [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/13/showest-vpf-part-1of6/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Showest_VPF_01-Showest2008_v02.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas.
Panel:

 Mark Christiansen, Paramount’s Executive Vice President of Operations
 Julian Levin, EVP of Digital Exhibition and Non-Theatrical Sales &amp; Exhibition at Twentieth Century Fox
Bill Campbell, Managing Director of the Cinema Buying Group
George Solomon, Southern Theatres CEO
Andrew Sriubas, a Managing Director of JP Morgan Investment Bank.
 Moderator: G. Kendrick Macdowell, general counsel for the National Association of Theatre Owners, .

</itunes:summary>
<itunes:subtitle>Video of  “Show Me The Money! Does Digital Self-Financing During A Credit Crisis Offer Hope?” panel that was presented at Showest 2009 in Las Vegas. Panel: Mark Christiansen, Paramount’s Executive Vice President of Operations Julian Levin, [...]</itunes:subtitle>
	</item>
		<item>
		<title>Showest 2009 INTRO</title>
		<link>http://www.cinetechgeek.com/2009/04/13/showest-2009-intro/</link>
		<comments>http://www.cinetechgeek.com/2009/04/13/showest-2009-intro/#comments</comments>
		<pubDate>Mon, 13 Apr 2009 07:10:25 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[showest]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=75</guid>
		<description><![CDATA[Hello CineTechGeeks,I have been busy over the last month going to Showest. I was there to man a stand for my company. In the spare time I had, I did my best to bring you videos covering the technical side of going DCI digital. I donate my time to this Video Blog to help de-mistify [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/04/13/showest-2009-intro/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/ShowEstIntro-Showest2009.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Hello CineTechGeeks,I have been busy over the last month going to Showest.  I was there to man a stand for my company. In the spare time I had, I did my best to bring you videos covering the technical side of going DCI digital.
I donate my time to this Video Blog to help de-mistify the going digital issue.  The more it is understood, the better you will be in making your decisions.  I sincerily hope these video help.
I will be adding about 20 new videos over the next weeks or so.  This includes about 2 hours of content.  There videos will cover.

 Showest Talk on VPF’s
 Projectors makers, Sony, Christie, NEC. (Barco missed out, no spokesperson available, next time.)
 USL kit including measuring tools, Sound processor and new closed caption technology
Dolby Sound Process, DCI player and 3D
QSC new sound processor
Dataport drive for DCI content distribution
MiT and some interesting ideas on converting a pedistal.
Plus much more…

Please enjoy and I welcome feedback.
Thanks,
James Gardiner
</itunes:summary>
<itunes:subtitle>Hello CineTechGeeks,I have been busy over the last month going to Showest. I was there to man a stand for my company. In the spare time I had, I did my best to bring you videos covering the technical side of going DCI digital. I donate my time to [...]</itunes:subtitle>
	</item>
		<item>
		<title>Lenses used in Cinema. Past to present (DCI).</title>
		<link>http://www.cinetechgeek.com/2009/03/08/lenses-uned-in-cinema-past-to-dci/</link>
		<comments>http://www.cinetechgeek.com/2009/03/08/lenses-uned-in-cinema-past-to-dci/#comments</comments>
		<pubDate>Sun, 08 Mar 2009 10:21:10 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=72</guid>
		<description><![CDATA[Today l show you how Cinema lenses are evolving. From the simply old 35mm Prime with Turret, to the more modern lenses for DCI projectors. I also have a special treat. An old 2perf 35mm 3D cinema lens.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/03/08/lenses-uned-in-cinema-past-to-dci/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Cinema_Lenses-iTunes.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Today l show you how Cinema lenses are evolving.  From the simply old 35mm Prime with Turret, to the more modern lenses for DCI projectors.
I also have a special treat.  An old 2perf 35mm 3D cinema lens.
</itunes:summary>
<itunes:subtitle>Today l show you how Cinema lenses are evolving. From the simply old 35mm Prime with Turret, to the more modern lenses for DCI projectors. I also have a special treat. An old 2perf 35mm 3D cinema lens.</itunes:subtitle>
	</item>
		<item>
		<title>DCI resolution and colour depth</title>
		<link>http://www.cinetechgeek.com/2009/02/25/dci-resolution-and-colour-depth/</link>
		<comments>http://www.cinetechgeek.com/2009/02/25/dci-resolution-and-colour-depth/#comments</comments>
		<pubDate>Wed, 25 Feb 2009 12:07:46 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=65</guid>
		<description><![CDATA[This is a screen cast in which I cover DCI resolutions and colour depth. You should be interested if you are a producer aiming at a DCI cinema as your final distribution format, or a projectionist who is keen to understand what is actually going to screen when using DCI.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/02/25/dci-resolution-and-colour-depth/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Res_And_Depth-iTunes.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>This is a screen cast in which I cover DCI resolutions and colour depth.  You should be interested if you are a producer aiming at a DCI cinema as your final distribution format, or a projectionist who is keen to understand what is actually going to screen when using DCI.
</itunes:summary>
<itunes:subtitle>This is a screen cast in which I cover DCI resolutions and colour depth. You should be interested if you are a producer aiming at a DCI cinema as your final distribution format, or a projectionist who is keen to understand what is actually going to [...]</itunes:subtitle>
	</item>
		<item>
		<title>3D Glasses &#8211; Polarizing</title>
		<link>http://www.cinetechgeek.com/2009/02/10/3d-glasses-polarizing/</link>
		<comments>http://www.cinetechgeek.com/2009/02/10/3d-glasses-polarizing/#comments</comments>
		<pubDate>Tue, 10 Feb 2009 11:30:08 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[glasses]]></category>
		<category><![CDATA[polarizing]]></category>
		<category><![CDATA[RealD]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=60</guid>
		<description><![CDATA[3D based on polarizing lenses is todays topic. In this video I do visual demonstrations of linear and circular (As in RealD 3D system) polarizing glasses. I discuss the need for a silver screen and do a demonstration of why you need one.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/02/10/3d-glasses-polarizing/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/3D_Glasses_Polarized-iTunes.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>3D based on polarizing lenses is todays topic.  In this video I do visual demonstrations of linear and circular (As in RealD 3D system) polarizing glasses.
I discuss the need for a silver screen and do a demonstration of why you need one.
</itunes:summary>
<itunes:subtitle>3D based on polarizing lenses is todays topic. In this video I do visual demonstrations of linear and circular (As in RealD 3D system) polarizing glasses. I discuss the need for a silver screen and do a demonstration of why you need one.</itunes:subtitle>
	</item>
		<item>
		<title>3D Glasses &#8211; LCD system by XpanD</title>
		<link>http://www.cinetechgeek.com/2009/02/10/3d-glasses-lcd-system-by-xpand/</link>
		<comments>http://www.cinetechgeek.com/2009/02/10/3d-glasses-lcd-system-by-xpand/#comments</comments>
		<pubDate>Tue, 10 Feb 2009 11:24:00 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=58</guid>
		<description><![CDATA[In this video I show you the LCD active glasses in action for DCI 3D digital cinema. In this case, the Xpand 3D glasses old and new are demonstrated. I demonstrate how they work in a cinema, showing them in action. I also cover some of the advantages and disadvantages of this system compared to [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/02/10/3d-glasses-lcd-system-by-xpand/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/3D_Glasses_LCD-iTunes.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video I show you the LCD active glasses in action for DCI 3D digital cinema.  In this case, the Xpand 3D glasses old and new are demonstrated.
I demonstrate how they work in a cinema, showing them in action.
I also cover some of the advantages and disadvantages of this system compared to others.
</itunes:summary>
<itunes:subtitle>In this video I show you the LCD active glasses in action for DCI 3D digital cinema. In this case, the Xpand 3D glasses old and new are demonstrated. I demonstrate how they work in a cinema, showing them in action. I also cover some of the [...]</itunes:subtitle>
	</item>
		<item>
		<title>Readings Cinema, Warne Ponds, like their Kinoton</title>
		<link>http://www.cinetechgeek.com/2009/02/09/readings-cinema-warne-ponds-like-their-kinoton/</link>
		<comments>http://www.cinetechgeek.com/2009/02/09/readings-cinema-warne-ponds-like-their-kinoton/#comments</comments>
		<pubDate>Mon, 09 Feb 2009 08:31:14 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=55</guid>
		<description><![CDATA[Reading Cinema, Warne Ponds, is a Kinoton house. In this installment, I show you what a MUT (Make Up Table) is. Have a close look at the Kiniton Projector. Take a good look at the Kinoton digital spooler, the best their is. Look at how the Kinoton (rebadged Pennywise) automation system works. Have a look [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/02/09/readings-cinema-warne-ponds-like-their-kinoton/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Readings_WarnePonds-iTunes.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Reading Cinema, Warne Ponds, is a Kinoton house.
In this installment, I show you what a MUT (Make Up Table) is.
Have a close look at the Kiniton Projector.
Take a good look at the Kinoton digital spooler, the best their is.
Look at how the Kinoton (rebadged Pennywise) automation system works.
Have a look at a Dolby DA20 and how that works with the sound processor.
Take a quick look at how Slide projectors work and why we all want them to go away.
</itunes:summary>
<itunes:subtitle>Reading Cinema, Warne Ponds, is a Kinoton house. In this installment, I show you what a MUT (Make Up Table) is. Have a close look at the Kiniton Projector. Take a good look at the Kinoton digital spooler, the best their is. Look at how the Kinoton [...]</itunes:subtitle>
	</item>
		<item>
		<title>3D cinema brief overview and demo of XpanD 3D system</title>
		<link>http://www.cinetechgeek.com/2009/02/01/39/</link>
		<comments>http://www.cinetechgeek.com/2009/02/01/39/#comments</comments>
		<pubDate>Sun, 01 Feb 2009 00:17:46 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[3D]]></category>
		<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>

		<guid isPermaLink="false">http://cinetechgeek.com/?p=39</guid>
		<description><![CDATA[Here I do a brief description of some of the 3D systems available in Cinemas today.  I also show the Xpand3D LCD system in action.  Note: the LCD type system I show in this video is commonly used by IMAX 3D systems and required active glasses that have a battery and LCD shutters over each [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/02/01/39/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/3D-DCI-iTunes.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Here I do a brief description of some of the 3D systems available in Cinemas today.  I also show the Xpand3D LCD system in action.  Note: the LCD type system I show in this video is commonly used by IMAX 3D systems and required active glasses that have a battery and LCD shutters over each eye.  These shutters change as a Infra Red pulse light, invisible to the eye, is flashed into the theatre and picked up by a sensor on the glasses.  This is the most portable of the 3D systems available in my experience.

I will do a in depth version of the 3D at a later podcast.

</itunes:summary>
<itunes:subtitle>Here I do a brief description of some of the 3D systems available in Cinemas today.  I also show the Xpand3D LCD system in action.  Note: the LCD type system I show in this video is commonly used by IMAX 3D systems and required active glasses [...]</itunes:subtitle>
	</item>
		<item>
		<title>Regent Cinema Part 2</title>
		<link>http://www.cinetechgeek.com/2009/01/24/regebt-cinema-part-2/</link>
		<comments>http://www.cinetechgeek.com/2009/01/24/regebt-cinema-part-2/#comments</comments>
		<pubDate>Sat, 24 Jan 2009 13:34:51 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[eCinema]]></category>

		<guid isPermaLink="false">http://cinetechgeek.com/?p=15</guid>
		<description><![CDATA[In this video I take you though the Regent Cinema in Werribee, Victoria, Australia. The Regent is a 10 plex built from the ground up. I discus how modern cinemas are built and run compared to traditional cinemas. I also cover some modern cinema developments in business models]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/01/24/regebt-cinema-part-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/RegentCinemaPart2-iTunes.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video I take you though the Regent Cinema in Werribee, Victoria, Australia.  The Regent is a 10 plex built from the ground up. I discus  how modern cinemas are built and run compared to traditional cinemas.  I also cover some modern cinema developments in business models
</itunes:summary>
<itunes:subtitle>In this video I take you though the Regent Cinema in Werribee, Victoria, Australia. The Regent is a 10 plex built from the ground up. I discus how modern cinemas are built and run compared to traditional cinemas. I also cover some modern cinema [...]</itunes:subtitle>
	</item>
		<item>
		<title>Regent Cinema Part 1</title>
		<link>http://www.cinetechgeek.com/2009/01/24/regent-cinema-part-1/</link>
		<comments>http://www.cinetechgeek.com/2009/01/24/regent-cinema-part-1/#comments</comments>
		<pubDate>Sat, 24 Jan 2009 12:47:20 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[eCinema]]></category>
		<category><![CDATA[cinema]]></category>

		<guid isPermaLink="false">http://cinetechgeek.com/?p=6</guid>
		<description><![CDATA[In this video I take you though the Regent Cinema in Werribee, Victoria, Australia.  The Regent is a 10 plex built from the ground up. I discus  how modern cinemas are built and run compared to traditional cinemas.  I also cover some modern cinema developments in business models]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/01/24/regent-cinema-part-1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/RegentCinemaPart1-iTunes.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video I take you though the Regent Cinema in Werribee, Victoria, Australia.  The Regent is a 10 plex built from the ground up. I discus  how modern cinemas are built and run compared to traditional cinemas.  I also cover some modern cinema developments in business models
</itunes:summary>
<itunes:subtitle>In this video I take you though the Regent Cinema in Werribee, Victoria, Australia.  The Regent is a 10 plex built from the ground up. I discus  how modern cinemas are built and run compared to traditional cinemas.  I also cover some modern [...]</itunes:subtitle>
	</item>
		<item>
		<title>DCI cinema install overview</title>
		<link>http://www.cinetechgeek.com/2009/01/23/dci-cinema-install-overview/</link>
		<comments>http://www.cinetechgeek.com/2009/01/23/dci-cinema-install-overview/#comments</comments>
		<pubDate>Fri, 23 Jan 2009 12:58:17 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>
		<category><![CDATA[DCI]]></category>
		<category><![CDATA[dCinema]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=48</guid>
		<description><![CDATA[Here I show you an installation of a DCI media player and projector.  How they are connected and integrate with the traditional 35mm projector and automation.  I also explain the distribution methods of the media files and the security used to protect the content from unauthorized access.]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/01/23/dci-cinema-install-overview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/DCI_cinema-iTunes.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>Here I show you an installation of a DCI media player and projector.  How they are connected and integrate with the traditional 35mm projector and automation.  I also explain the distribution methods of the media files and the security used to protect the content from unauthorized access.
</itunes:summary>
<itunes:subtitle>Here I show you an installation of a DCI media player and projector.  How they are connected and integrate with the traditional 35mm projector and automation.  I also explain the distribution methods of the media files and the security used [...]</itunes:subtitle>
	</item>
		<item>
		<title>Looking back at the dangers of being a projectionist long ago</title>
		<link>http://www.cinetechgeek.com/2009/01/09/looking-back-at-the-dangers-of-being-a-projectionist-long-ago/</link>
		<comments>http://www.cinetechgeek.com/2009/01/09/looking-back-at-the-dangers-of-being-a-projectionist-long-ago/#comments</comments>
		<pubDate>Fri, 09 Jan 2009 08:23:37 +0000</pubDate>
		<dc:creator>jamieg</dc:creator>
				<category><![CDATA[cinemas]]></category>

		<guid isPermaLink="false">http://www.cinetechgeek.com/?p=52</guid>
		<description><![CDATA[In this video I show you an old projection booth and the scars left from the early days of cinema projection.  I cover nitrate film (As in what is used to make Nitroglycerin, same stuff), how it was combustible and some of the fire safety procedures. I also talk about how a projectionist use to [...]]]></description>
		<wfw:commentRss>http://www.cinetechgeek.com/2009/01/09/looking-back-at-the-dangers-of-being-a-projectionist-long-ago/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://www.d-cine.net/cinetechgeek/Old_Bio_Box-iTunes.m4v" length="0" type="video/x-m4v" />
	<itunes:summary>In this video I show you an old projection booth and the scars left from the early days of cinema projection.  I cover nitrate film (As in what is used to make Nitroglycerin, same stuff), how it was combustible and some of the fire safety procedures. I also talk about how a projectionist use to be a uni degree and what this entailed.
</itunes:summary>
<itunes:subtitle>In this video I show you an old projection booth and the scars left from the early days of cinema projection.  I cover nitrate film (As in what is used to make Nitroglycerin, same stuff), how it was combustible and some of the fire safety [...]</itunes:subtitle>
	</item>
	</channel>
</rss>

