Welcome

Writing by jamieg on Sunday, 30 of August , 2009 at 10:40 pm

Welcome to Cine Tech Geek, the website dedicated to Cinema Exhibition and particularly going digital.  This site contains information targeting the cinema owner and projectionist as to help him/her understand the challenges ahead when transitioning to digital cinema. (DCI d-cinema and e-cinema).

I will post videos here as time permits, 1 to 3 per month.  I welcome feed back and suggestions.

Thanks,
James Gardiner (The Cine Tech Geek)

Latest 5 Posts

• CC13-40 Trade show - 4DX motion chair
• CC13-39 Trade Show - CRU Dataport DCmini
• CC13-38 All Eyes on China- An Exhibitor's Perspective - Panel - Closing comments
• CC13-37 All Eyes on China- An Exhibitor's Perspective - Panel - Quotas in China
• CC13-36 All Eyes on China- An Exhibitor's Perspective - Panel - Co-productions important

Index of Posts

• 3D cinema brief overview and demo of XpanD 3D system
• 3D Glasses - LCD system by XpanD
• 3D Glasses - Polarizing
• 3D Quality on Silver Screens
• 3D Windows and Masking for 3D in Cinemas
• A Digital Projector is not a Toaster
• A look inside a Digital Cinema Projector
• AIMC2011 - Keynote - John Fithian - 1 - Our Business Is Strong
• AIMC2011 - Keynote - John Fithian - 2 - Get to Digital
• AIMC2011 - Keynote - John Fithian - 3 - How Does Digital Help The Cinema
• AIMC2011 - Keynote - John Fithian - 4 - Help Small Operators
• AIMC2011 - Keynote - John Fithian - 5 - Film Will End Late 2013
• AIMC2011 - Keynote - John Fithian - 6 - Early VOD Releases Hurting Cinemas
• AIMC2011 - Q&A - Going Digital Is Not Expensive
• AIMC2011 - Q&A - Why film will end by late 2013
• AIMC2011 - Tony Adamson - DLP Cinema, reinventing the way the world sees movies
• Barco introduces new low cost DCI Cinema Projector (S-Series)
• Barco S series in action, the new low entry DCI-cinema solution
• CC13-01 Cinemacon 2013 Intro
• CC13-02 Keynote, Jan Bernhardsson, CEO, SF Bio
• CC13-03 Keynote, Paul Hanneman, 20th Century Fox International
• CC13-04 Global Digital Cinema Update - David Handcock - Screen Digest
• CC13-05 Max Efficiency in Digital World - FAQ - Customer service in supporting digital cinema
• CC13-06 Max Efficiency in Digital World - FAQ - Managing content and keys in theaters - Automation
• CC13-07 Max Efficiency in Digital World - FAQ - Equipment mantenance challenges
• CC13-08 Max Efficiency in Digital World- FAQ - Content distribution and delivery
• CC13-09 Max Efficiency in Digital World- FAQ - Storage concerns for cinemas and distributors
• CC13-10 Max Efficiency in Digital World- FAQ - Hard drive returnes
• CC13-11 Max Efficiency in Digital World- FAQ - Trailer Delivery
• CC13-12 Max Efficiency in Digital World- FAQ - What consumers want in digital era
• CC13-13 Max Efficiency in Digital World- FAQ - Advice for those still to convert to digital
• CC13-14 Max Efficiency in Digital World- FAQ - How long will digital equipment last
• CC13-15 Max Efficiency in Digital World- FAQ - Where is 35 film coming from now providers are closing
• CC13-16 Max Efficiency in Digital World- FAQ - 4K coming, after market for 2K? - Not likely
• CC13-17 Max Efficiency in Digital World- FAQ - Studio supply digital posters
• CC13-18 Max Efficiency in Digital World- FAQ - Do we need 4K, is 2K good enough
• CC13-19 Max Efficiency in Digital World- FAQ - We are no longer digital cinema but Cinema, what now
• CC13-20 Max Efficiency in Digital World- FAQ - What is the status of the DCDC roll out
• CC13-21 Driving Inc Admissions Through Engaging Communication Techniques - Mark de Quervain
• CC13-22 Driving Inc Admissions Through Engaging Communication Techniques - Borys Musielak
• CC13-23 Driving Inc Admissions Through Engaging Communication Techniques - Marieke Jonker
• CC13-24 Driving Inc Admissions Through Engaging Communication Techniques - Bobby Mutraporn
• CC13-25 Designing the Future of Exhibition - Alejandro Ramírez
• CC13-26 Designing the Future of Exhibition - Theodore T.Y. Kim
• CC13-27 Designing the Future of Exhibition - Jack Muffoletto
• CC13-28 Designing the Future of Exhibition - Eranna Yekbote
• CC13-29 All Eyes on China- An Exhibitor's Perspective - Intro - Peter YF Chan
• CC13-30 All Eyes on China- An Exhibitor's Perspective - Panel - Role of MPAA in China
• CC13-31 All Eyes on China- An Exhibitor's Perspective - Panel - Distributing Films in China
• CC13-32 All Eyes on China- An Exhibitor's Perspective - Panel - IMAX plan in China
• CC13-33 All Eyes on China- An Exhibitor's Perspective - Panel - Best locations-design for exhibition
• CC13-34 All Eyes on China- An Exhibitor's Perspective - Panel - China Taste in Films
• CC13-35 All Eyes on China- An Exhibitor's Perspective - Panel - IMAX co-productions-Films
• CC13-36 All Eyes on China- An Exhibitor's Perspective - Panel - Co-productions important
• CC13-37 All Eyes on China- An Exhibitor's Perspective - Panel - Quotas in China
• CC13-38 All Eyes on China- An Exhibitor's Perspective - Panel - Closing comments
• CC13-39 Trade Show - CRU Dataport DCmini
• CC13-40 Trade show - 4DX motion chair
• Christie's new Duo dual-projection System
• Cinema and Digital Media. Now and into the future.
• Cinema Automation Trends
• CinemaCon 2011 - 01 - Introduction
• CinemaCon 2011 - 02 - Cameron, Lucas, Ketzenberg on future of Film, Part1
• CinemaCon 2011 - 03 - Cameron, Lucas, Ketzenberg on future of Film, Part2
• CinemaCon 2011 - 04 - Cameron, Lucas, Ketzenberg on future of Film, Part3
• CinemaCon 2011 - 05 - Cameron, Lucas, Ketzenberg on future of Film, Part4
• CinemaCon 2011 - 06 - Cameron, Lucas, Ketzenberg on future of Film, Part5
• CinemaCon 2011 - 07 - Cameron, Lucas, Ketzenberg on future of Film, Part6
• CinemaCon 2011 - 08 - Cameron, Lucas, Ketzenberg on future of Film, Part7
• CinemaCon 2011 - 09 - QLi Lights and Lamps
• CinemaCon 2011 - 10 - Perforated Screen with Severtson
• CinemaCon 2011 - 11- DepthQ 3D
• CinemaCon 2011 - 12 - Mikrom IMB
• CinemaCon 2011 - 13 - DataSat AP20 Sound Processor
• CinemaCon 2011 - 14 - Digital Changes - David Hancock
• CinemaCon 2011 - 15 - Digital Changes - Steve Perrin
• CinemaCon 2011 - 16 - Digital Changes - James Kang
• CinemaCon 2011 - 17 - Digital Changes - Michael Karagosian
• CinemaCon 2011 - 18 - Pat Moore - STRONG - Prepare for Digital installs
• CineTechGeek now on iTunes
• CineTechGeek on TechTalkRadio - New developments in Cinema
• CineTechGeek on TechTalkRadio - Traditional versus digital cinema
• DCI cinema install overview
• DCI resolution and colour depth
• DCP De-constructed
• dcpPlayer tricks and tips (AC3 audio, audio levels for QC, audio sync)
• Demonstration of a MasterImage 3D system in action
• Demonstration of Silver Screen compromise
• Digital Screen Brightness in Cinemas
• Do we need 60fps
• EOF-1 : End of Film Series Intro
• EOF-2 : Why film for exhibition is ending in the next 1-2 years
• EOF-3 : New smaller cost effective projectors for digital cinema
• EOF-4 : IMS (Integrated Media Server) and how it can reduce costs
• EOF-5 : eCinema ultra low cost alternative to DCI, when film is no longer an option
• Film Festival Deliverables - 1 - Media
• Film Festival Deliverables - 2 - On The Cheap
• Film Festival Deliverables - 3 - Film Producer
• Film Festival Deliverables - 4 - Festival Producer
• Hello world!
• In Theatre Projection
• KDM De-constructed
• Lenses used in Cinema. Past to present (DCI).
• Looking back at the dangers of being a projectionist long ago
• Making the Web work for you and your cinema (Part 1)
• Making the Web work for you and your cinema (Part 2)
• NCR Point of Sale Customer Seat Allocation System
• Pink and Green screen & 3D content on a 2D screen
• Readings Cinema, Warne Ponds, like their Kinoton
• RealD-XL 3D cinema system, a second look up close
• Regent Cinema Part 1
• Regent Cinema Part 2
• Security in a Digital Cinema Projector
• Showest - AcoustX - Acoustical Measurement System
• Showest - Christie
• Showest - CRU-Dataport
• Showest - Dolby - Cinema System
• Showest - Dolby - New Sound Processor
• Showest - DTS - DCI media player and tools
• Showest - DTS - MasterImage 3D
• Showest - DTS - XD20
• Showest - MiT
• Showest - NEC DCI Projectors
• Showest - QSC audio solutions for Cinema
• Showest - Sony - Projectors
• Showest - Sony - TMS
• Showest - USL - Audio Processors
• Showest - USL - Captioning
• Showest - USL - Measurement Tools
• Showest - VPF - Part 1of6
• Showest - VPF - Part 2of6
• Showest - VPF - Part 3of6
• Showest - VPF - Part 4of6
• Showest - VPF - Part 5of6
• Showest - VPF - Part 6of6
• Showest 2009 INTRO
• Showest 2010 - 01 - Intro
• Showest 2010 - 02 - dcpPlayer
• Showest 2010 - 03 - Overview of 3D systems
• Showest 2010 - 04 - Light Levels on 3D screens
• Showest 2010 - 05 - 3D Presentation Quality
• Showest 2010 - 06 - D-Box Motion CODE / Chair
• Showest 2010 - 07 - USL
• Showest 2010 - 08 - Dorami CaptiView closed caption system
• Showest 2010 - 09 - Dolby Closed Caption Technology
• Showest 2010 - 10 - Christie Projectors
• Showest 2010 - 11 - Intelligent Access Systems Closed Caption Tech
• Showest 2010 - 12 - Xpand 3D
• Showest 2010 - 13 - Emerging Pictures
• Showest 2010 - 14 - Barco Projectors
• Showest – Qube Cinema - player and DCP creation
• SMPTE DCP's are coming
• The challenge for remote cinemas
• The future of streaming content in a cinema.
• The RealD-XL 3D system. Better, brighter 3D.
• View 3D-DCP's with dcpPlayer
• Welcome to Cine Tech Geek
• What can I plug into a DCI projector.
• Who is responsible for cinemas going digital

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