Welcome
Writing by jamieg on Sunday, 30 of August , 2009 at 10:40 pm
Welcome to Cine Tech Geek, the website dedicated to Cinema Exhibition and particularly going digital. This site contains information targeting the cinema owner and projectionist as to help him/her understand the challenges ahead when transitioning to digital cinema. (DCI d-cinema and e-cinema).
I will post videos here as time permits, 1 to 3 per month. I welcome feed back and suggestions.
Thanks,
James Gardiner (The Cine Tech Geek)
Latest 5 Posts
- CC13-40 Trade show - 4DX motion chair
- CC13-39 Trade Show - CRU Dataport DCmini
- CC13-38 All Eyes on China- An Exhibitor's Perspective - Panel - Closing comments
- CC13-37 All Eyes on China- An Exhibitor's Perspective - Panel - Quotas in China
- CC13-36 All Eyes on China- An Exhibitor's Perspective - Panel - Co-productions important
Index of Posts
- 3D cinema brief overview and demo of XpanD 3D system
- 3D Glasses - LCD system by XpanD
- 3D Glasses - Polarizing
- 3D Quality on Silver Screens
- 3D Windows and Masking for 3D in Cinemas
- A Digital Projector is not a Toaster
- A look inside a Digital Cinema Projector
- AIMC2011 - Keynote - John Fithian - 1 - Our Business Is Strong
- AIMC2011 - Keynote - John Fithian - 2 - Get to Digital
- AIMC2011 - Keynote - John Fithian - 3 - How Does Digital Help The Cinema
- AIMC2011 - Keynote - John Fithian - 4 - Help Small Operators
- AIMC2011 - Keynote - John Fithian - 5 - Film Will End Late 2013
- AIMC2011 - Keynote - John Fithian - 6 - Early VOD Releases Hurting Cinemas
- AIMC2011 - Q&A - Going Digital Is Not Expensive
- AIMC2011 - Q&A - Why film will end by late 2013
- AIMC2011 - Tony Adamson - DLP Cinema, reinventing the way the world sees movies
- Barco introduces new low cost DCI Cinema Projector (S-Series)
- Barco S series in action, the new low entry DCI-cinema solution
- CC13-01 Cinemacon 2013 Intro
- CC13-02 Keynote, Jan Bernhardsson, CEO, SF Bio
- CC13-03 Keynote, Paul Hanneman, 20th Century Fox International
- CC13-04 Global Digital Cinema Update - David Handcock - Screen Digest
- CC13-05 Max Efficiency in Digital World - FAQ - Customer service in supporting digital cinema
- CC13-06 Max Efficiency in Digital World - FAQ - Managing content and keys in theaters - Automation
- CC13-07 Max Efficiency in Digital World - FAQ - Equipment mantenance challenges
- CC13-08 Max Efficiency in Digital World- FAQ - Content distribution and delivery
- CC13-09 Max Efficiency in Digital World- FAQ - Storage concerns for cinemas and distributors
- CC13-10 Max Efficiency in Digital World- FAQ - Hard drive returnes
- CC13-11 Max Efficiency in Digital World- FAQ - Trailer Delivery
- CC13-12 Max Efficiency in Digital World- FAQ - What consumers want in digital era
- CC13-13 Max Efficiency in Digital World- FAQ - Advice for those still to convert to digital
- CC13-14 Max Efficiency in Digital World- FAQ - How long will digital equipment last
- CC13-15 Max Efficiency in Digital World- FAQ - Where is 35 film coming from now providers are closing
- CC13-16 Max Efficiency in Digital World- FAQ - 4K coming, after market for 2K? - Not likely
- CC13-17 Max Efficiency in Digital World- FAQ - Studio supply digital posters
- CC13-18 Max Efficiency in Digital World- FAQ - Do we need 4K, is 2K good enough
- CC13-19 Max Efficiency in Digital World- FAQ - We are no longer digital cinema but Cinema, what now
- CC13-20 Max Efficiency in Digital World- FAQ - What is the status of the DCDC roll out
- CC13-21 Driving Inc Admissions Through Engaging Communication Techniques - Mark de Quervain
- CC13-22 Driving Inc Admissions Through Engaging Communication Techniques - Borys Musielak
- CC13-23 Driving Inc Admissions Through Engaging Communication Techniques - Marieke Jonker
- CC13-24 Driving Inc Admissions Through Engaging Communication Techniques - Bobby Mutraporn
- CC13-25 Designing the Future of Exhibition - Alejandro Ramírez
- CC13-26 Designing the Future of Exhibition - Theodore T.Y. Kim
- CC13-27 Designing the Future of Exhibition - Jack Muffoletto
- CC13-28 Designing the Future of Exhibition - Eranna Yekbote
- CC13-29 All Eyes on China- An Exhibitor's Perspective - Intro - Peter YF Chan
- CC13-30 All Eyes on China- An Exhibitor's Perspective - Panel - Role of MPAA in China
- CC13-31 All Eyes on China- An Exhibitor's Perspective - Panel - Distributing Films in China
- CC13-32 All Eyes on China- An Exhibitor's Perspective - Panel - IMAX plan in China
- CC13-33 All Eyes on China- An Exhibitor's Perspective - Panel - Best locations-design for exhibition
- CC13-34 All Eyes on China- An Exhibitor's Perspective - Panel - China Taste in Films
- CC13-35 All Eyes on China- An Exhibitor's Perspective - Panel - IMAX co-productions-Films
- CC13-36 All Eyes on China- An Exhibitor's Perspective - Panel - Co-productions important
- CC13-37 All Eyes on China- An Exhibitor's Perspective - Panel - Quotas in China
- CC13-38 All Eyes on China- An Exhibitor's Perspective - Panel - Closing comments
- CC13-39 Trade Show - CRU Dataport DCmini
- CC13-40 Trade show - 4DX motion chair
- Christie's new Duo dual-projection System
- Cinema and Digital Media. Now and into the future.
- Cinema Automation Trends
- CinemaCon 2011 - 01 - Introduction
- CinemaCon 2011 - 02 - Cameron, Lucas, Ketzenberg on future of Film, Part1
- CinemaCon 2011 - 03 - Cameron, Lucas, Ketzenberg on future of Film, Part2
- CinemaCon 2011 - 04 - Cameron, Lucas, Ketzenberg on future of Film, Part3
- CinemaCon 2011 - 05 - Cameron, Lucas, Ketzenberg on future of Film, Part4
- CinemaCon 2011 - 06 - Cameron, Lucas, Ketzenberg on future of Film, Part5
- CinemaCon 2011 - 07 - Cameron, Lucas, Ketzenberg on future of Film, Part6
- CinemaCon 2011 - 08 - Cameron, Lucas, Ketzenberg on future of Film, Part7
- CinemaCon 2011 - 09 - QLi Lights and Lamps
- CinemaCon 2011 - 10 - Perforated Screen with Severtson
- CinemaCon 2011 - 11- DepthQ 3D
- CinemaCon 2011 - 12 - Mikrom IMB
- CinemaCon 2011 - 13 - DataSat AP20 Sound Processor
- CinemaCon 2011 - 14 - Digital Changes - David Hancock
- CinemaCon 2011 - 15 - Digital Changes - Steve Perrin
- CinemaCon 2011 - 16 - Digital Changes - James Kang
- CinemaCon 2011 - 17 - Digital Changes - Michael Karagosian
- CinemaCon 2011 - 18 - Pat Moore - STRONG - Prepare for Digital installs
- CineTechGeek now on iTunes
- CineTechGeek on TechTalkRadio - New developments in Cinema
- CineTechGeek on TechTalkRadio - Traditional versus digital cinema
- DCI cinema install overview
- DCI resolution and colour depth
- DCP De-constructed
- dcpPlayer tricks and tips (AC3 audio, audio levels for QC, audio sync)
- Demonstration of a MasterImage 3D system in action
- Demonstration of Silver Screen compromise
- Digital Screen Brightness in Cinemas
- Do we need 60fps
- EOF-1 : End of Film Series Intro
- EOF-2 : Why film for exhibition is ending in the next 1-2 years
- EOF-3 : New smaller cost effective projectors for digital cinema
- EOF-4 : IMS (Integrated Media Server) and how it can reduce costs
- EOF-5 : eCinema ultra low cost alternative to DCI, when film is no longer an option
- Film Festival Deliverables - 1 - Media
- Film Festival Deliverables - 2 - On The Cheap
- Film Festival Deliverables - 3 - Film Producer
- Film Festival Deliverables - 4 - Festival Producer
- Hello world!
- In Theatre Projection
- KDM De-constructed
- Lenses used in Cinema. Past to present (DCI).
- Looking back at the dangers of being a projectionist long ago
- Making the Web work for you and your cinema (Part 1)
- Making the Web work for you and your cinema (Part 2)
- NCR Point of Sale Customer Seat Allocation System
- Pink and Green screen & 3D content on a 2D screen
- Readings Cinema, Warne Ponds, like their Kinoton
- RealD-XL 3D cinema system, a second look up close
- Regent Cinema Part 1
- Regent Cinema Part 2
- Security in a Digital Cinema Projector
- Showest - AcoustX - Acoustical Measurement System
- Showest - Christie
- Showest - CRU-Dataport
- Showest - Dolby - Cinema System
- Showest - Dolby - New Sound Processor
- Showest - DTS - DCI media player and tools
- Showest - DTS - MasterImage 3D
- Showest - DTS - XD20
- Showest - MiT
- Showest - NEC DCI Projectors
- Showest - QSC audio solutions for Cinema
- Showest - Sony - Projectors
- Showest - Sony - TMS
- Showest - USL - Audio Processors
- Showest - USL - Captioning
- Showest - USL - Measurement Tools
- Showest - VPF - Part 1of6
- Showest - VPF - Part 2of6
- Showest - VPF - Part 3of6
- Showest - VPF - Part 4of6
- Showest - VPF - Part 5of6
- Showest - VPF - Part 6of6
- Showest 2009 INTRO
- Showest 2010 - 01 - Intro
- Showest 2010 - 02 - dcpPlayer
- Showest 2010 - 03 - Overview of 3D systems
- Showest 2010 - 04 - Light Levels on 3D screens
- Showest 2010 - 05 - 3D Presentation Quality
- Showest 2010 - 06 - D-Box Motion CODE / Chair
- Showest 2010 - 07 - USL
- Showest 2010 - 08 - Dorami CaptiView closed caption system
- Showest 2010 - 09 - Dolby Closed Caption Technology
- Showest 2010 - 10 - Christie Projectors
- Showest 2010 - 11 - Intelligent Access Systems Closed Caption Tech
- Showest 2010 - 12 - Xpand 3D
- Showest 2010 - 13 - Emerging Pictures
- Showest 2010 - 14 - Barco Projectors
- Showest – Qube Cinema - player and DCP creation
- SMPTE DCP's are coming
- The challenge for remote cinemas
- The future of streaming content in a cinema.
- The RealD-XL 3D system. Better, brighter 3D.
- View 3D-DCP's with dcpPlayer
- Welcome to Cine Tech Geek
- What can I plug into a DCI projector.
- Who is responsible for cinemas going digital
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